Image: Adam Ekberg, “A camera in the forest,” 2008, Archival pigment print. Artist Adam Ekberg spoke at the Society for Photographic Education’s 2015 Conference on Friday, March 13, 2015. The title of his talk was “Creating Temporal Environments,” and he addressed his ongoing artwork: My work over the last 10
Image: Mariette Pathy Allen, from the series “TransCuba.” Mariette Pathy Allen will be in conversation with Zackary Drucker and Allen Frame at Baxter Street (the Camera Club of New York) on Monday, March 23rd, 2015. Drucker and Pathy Allen will discuss their new work, including Drucker’s participation as an actor
Image: Copyright Randhy Rodriguez (RandhyRodriguez.com). Please come visit ClampArt at Art on Paper, now through Sunday evening at 6.00 pm. Art on Paper is located on the Lower East Side in Manhattan: Pier 36 299 South Street New York, NY 10002 Click here for a complimentary ticket The gallery is
Mark Morrisroe’s work is featured in the new issue of “Aperture” with an article by Eva Respini, Chief Curator at the Institute of Contemporary Art (formerly Curator of Photographs at the Museum of Modern Art in New York City). The issue focuses on queer photography. Respini writes: Following are some
Image: Marc Yakus, “Dogs in Front of the Taj Mahal,” 2014, Archival pigment print, 22 x 17 inches. Marc Yankus’ work is included in the “Annual Dog Show” at Mascot Studio through March 28th, 2015. Since 1999, the “Annual Dog Show” opens during the week of the Westminster Kennel Club
Image: Copyright Aziz + Cucher, “Untitled (Man with a Computer),” 1992, Chromogenic print (Edition of 3), 86 x 38 inches Aziz + Cucher’s work is featured in “Come as You Are: Art of the 1990s” at the Montclair Art Museum from February 8 – May 17, 2015. The show will
Image: Copyright Adam Ekberg, “Outpost #1,” 2011, Archival pigment print Adam Ekberg’s work will be featured in a solo exhibition at the Sol Mednick Gallery at The University for the Arts in Philadephia from February 13 – March 13, 2015. Adam Ekberg’s exhibition “The Life of Small Things” presents photographs
Image: Jill Greenberg, “Earth,” 2005, Archival pigment print. ClampArt is pleased to announce that Jill Greenberg’s “End Times” series made the recent American Photo timeline of what mattered most in photography over the past 25 years. From American Photo: For our special 25th anniversary issue, we look at photographs from
Image: Copyright Janet Delaney, “Mercantile Building, Mission and 3rd Streets,” 1980, Archival pigment print Janet Delaney has a solo exhibition on display at the esteemed de Young Museum in San Francisco from January 17 – July 19, 2015. In an exhibition particularly relevant to the Bay Area, “Janet Delaney: South
Aziz + Cucher’s work is featured in “Pixelated: Sum of Its Pieces” at the Children’s Museum of the Arts from January 22 – May 3, 2015. “Pixelated: Sum of Its Pieces” brings together emerging and mid-career artists whose work explores different means of perception. For better or worse, our lives
Bill Armstrong’s work is featured in “Modern Alchemy: Experiments in Photography” at The Heckscher Museum of Art in Huntington, New York from December 6, 2014 – March 15, 2015. “Modern Alchemy: Experiments in Photography” focuses on 20th and 21st-century artists who have pushed the boundaries of photography in myriad ways,
Image: Adrian Chesser, “Sage Field,” Lone Pine Ridge, Idaho, 2006-2012. Adrain Chesser’s first monograph, The Return, has been listed on three end-of-year lists as a notable photography book! PDN, FlakPhoto, and Photo-Eye have all named The Return as one of the best photo books released this year. Chesser was praised
Please come visit ClampArt at Miami Project, now through Sunday evening. Miami Project is located in Midtown Miami’s Wynwood Arts District: 110 NE 36th Street Miami, FL 33137 Click here for a complimentary one-day ticket The gallery is in Booth 117 showing a selection of gallery artists including Jill Greenberg,
Left: Scott Daniel Ellison, “The Birthday Party,” 2009, Acrylic on panel, 6 x 6 inches. Right: Lori Nix, “Beauty Shop,” 2010, Archival pigment print. Both Scott Daniel Ellison and Lori Nix have artworks featured in the Girl’s Club’s exhibition, “The Moment. The Backdrop. The Persona.” (November 7, 2014 – September
Image: John Bailly, “Lyon,” 2007. Painter John Bailly and Inaugural Poet Richard Blanco first exhibited their collaborative project about cultural identity, Place of Mind, at ClampArt in early 2013. The artist and his collaborator will give a gallery talk at the Center for Visual Communication in the Wynwood Arts District
Image: Christopher Churchill, “Hudderite Classroom,” 2005, Gelatin silver print. ClampArt is pleased to announce that photographs by Christopher Churchill are now available. You can view images from his series “American Faith” here: http://clampart.com/2014/03/christopher-churchill-b-1977/. Churchill writes: I started this project just out of curiosity about religion. I felt both frustrated and
Bill Armstrong’s work is featured in “The Noir Effect” at the Skirball Cultural Center in Los Angeles from October 23, 2014 – March 1, 2015. “The Noir Effect” traces the influence of film noir into recent times, exploring how the genre has continued to impact American popular culture, art, and
Image: Corey Arnold, “After All Night,” 2012, Chromogenic print. The Photographic Center Northwest (PCNW) benefit event “Connect The Dots” brings together those creating photography (artists) with those experiencing photography (audience), through cocktails, conversation, a plated dinner, silent and live auction, and a raise-the-paddle donation opportunity. This year, in addition to
ClampArt director, Brian Paul Clamp, in conversation with collector Douglas Nielsen at the Center for Creative Photography.
Image: Pipo Nguyen-duy, “Circle,” 2012, Archival pigment print. ClampArt is pleased to announce that photographs from Guggenheim Fellow Pipo Nguyen-duy are now available. You can view twenty images from the series here: http://clampart.com/2014/10/pipo-nguyen-duy/. Pipo Nguyen-duy’s series East of Eden originally shared a perspective with John Steinbeck’s novel of the same