ClampArt has prints of four Lane Coder photographs at 11 x 14 inches (Edition of 25) available for $250 each. All photos are signed and accompanied by a certificate of authenticity.
11 x 14 inches
(Edition of 25)
A portion of the proceeds will benefit COVID-19 Relief Efforts.
Click here to review images (see the first four artworks on Lane Coder’s artist page on the gallery’s website)
Watch an online artist talk by Manjari Sharma with Payal Bhattacharya for the Michael C. Carlos Museum in association with her exhibition “Transcendent Deities of India: The Everyday Occurrence of the Divine” through October 18, 2020. Artist Manjari Sharma’s “Darshan” series is the result of a multi-year project to photographically
Image: Meryl Meisler, “Silver Boots, Stretched on Floor,” 1977, Gelatin silver print. Photographs by Meryl Meisler and Mariette Pathy Allen are on view in the exhibition “Studio 54: Night Magic” at the Brooklyn Museum from March 13 – July 5, 2020: Studio 54: Night Magic traces the radiant history, social
Image: Joseph Desler Costa, “Hand Variant,” 2018. Artworks by Joseph Desler Costa will be on view in the exhibition “The Drowned” at Alabama Contemporary Art Center from March 13 – June 13, 2020: In 1840, French photographer Hippolyte Bayard (1801-1887) created the first staged photograph in a piece titled “Self-Portrait
Image: Daniel Handal, “Yellow Factor American Singer (Hot Pink),” 2016, Archival pigment print, painted frame, 19 x 15 inches. A selection of artworks from Daniel Handal’s Pajaritos series will be on view at the Fotofest Biennial in the exhibition “Ten by Ten: Ten Reviewers Select Ten Portfolios from The Meeting
Image: Adam Ekberg, “Arrangement #1,” 2009, Archival pigment print. Photographs by Adam Ekberg will be on view in the exhibition “The Other Side of Boredom” at the Aurora Photo Center in Indianapolis, IN, from March 6 – 27, 2020: For artist Adam Ekberg, moving past boredom means finding a space
Image: James Bidgood, “Mythical Woodland, Snake Silhouetted by Moon (Blue Moon),” late 1960s, Digital C-print. The photograph “Mythical Woodland, Snake Silhouetted by Moon (Blue Moon)” by James Bidgood will be on view in the exhibition “C.H.A.D.” at Ashes/Ashes in New York City from February 28 – April 5, 2020: ASHES/ASHES
Image: Lissa Rivera, “Reclining in Chiffon (All Cried Out),” 2017, Archival pigment print. Images from Lissa Rivera‘s series “Beautiful Boy” will be on display in the upcoming exhibition “Ablutions of the Tongue” at Rundetaarn in Copenhagen. The exhibition was initiated by Kristina Steinbock and co-curated by Louise Lassen Iversen, and
Image: Amy Elkins, Expectant Mother (Pink), Expectant Mother (Blue), Mother and Newborn, Mother and Son, Mother and Young Children, 2019, Digital chromogenic prints on paper, 25 ¼ x 21 ¼ inches each, installed on Southern Magnolia, 2019 artist-designed wallpaper, dimensions variable. Image courtesy of the Newcomb Art Museum of Tulane
Image: Mariette Pathy Allen, “A Spirit Medium During a Festival at the Foot of Mt. Popa,” Burma, 2017, Archival pigment print. Mariette Pathy Allen received an Honorable Mention in the Portrait Series category of the Julia Margaret Cameron Awards for three photographs from her series “Transcendents: Spirit Mediums in Burma
Image: © Lori Nix/Kathleen Gerber, “Snow Storm,” 1998. . Happy Holidays from ClampArt! The gallery will be closed from 12.23.2019 through 01.01.2020. We will reopen at 10:00 am on Thursday, 01.02.2019. We look forward to seeing you in 2020! –Brian, Raechel, Sullivan & Trevor .
ClampArt is exhibiting at the upcoming Pulse Art Fair in Miami Beach on December 5-8, 2019. Visit us in Booth 214, where we will be showing artworks by Joseph Desler Costa and Daniel Handal. For more information, please contact the gallery or visit the Pulse Art Fair website. Pulse Art
Image: © Amy Stein, “Fast Food,” 2007, Digital C-print. Photographs by Amy Elkins, Brian Finke, Rachel Papo, Lissa Rivera, and Amy Stein are included in the exhibition “American Truth” at SVA Chelsea Gallery in NYC. Curated by Jasmine Wahi, the exhibition will be on view November 16 – December 14,
Photographs by Marc Yankus are on view in the exhibition “Your Very Own Paradise” at Oakland University Art Gallery. Curated by Dick Goody, the exhibition will be on view September 7 – November 24, 2019. In an era of crisis and dissimulation, this exhibition presents a conduit to inspire the
©Lori Nix/Kathleen Gerber, “Control Room,” 2010, Archival pigment print. Four photographs by Lori Nix and Kathleen Gerber are on view in the curated section of the inaugural Rust Belt Biennial at Sordoni Art Gallery at Wilkes University in Wilkes-Barre, Pennsylvania. The biennial is on view August 27 – October 5,
Photographs by Marc Yankus are on view in the lightbox exhibition “Landmark City” at New York City’s Grand Central Station. The installation will be on view in the downstairs Dining Concourse at Grand Central Station through Summer 2020. A reception with the artist will be held on Wednesday, July 10th,
Image: © Lissa Rivera, “Metamorphosis,” 2015. Lissa Rivera‘s series “Beautiful Boy” is included in the group exhibition “Transamerica/n: Gender, Identity, Appearance Today” at the McNay Art Museum in San Antonio, Texas. The exhibition opens on June 20th and will be on view through September 15, 2019. Transamerica/n: Gender, Identity, Appearance
Work by Lissa Rivera will be on view at Postmasters in New York City in the exhibition “PRIDE,” a group show curated by Magda Sawon and Ruben Natal-San Miguel. The exhibition opens with a reception on Thursday, June 6th, from 6-8pm, and will be on view through July 20, 2019.
[L]: James Bidgood, “Pink Flowers, Water Colors,” early 1960s, Digital C-print; [R]: Lissa Rivera, “Study in Red and Blue,” 2015, Archival pigment print. Soho Photo Gallery in New York City is presenting “Photography After Stonewall,” a group exhibition including artworks by James Bidgood and Lissa Rivera. The exhibition opens with
Image: Lori Nix/Kathleen Gerber, “Winter Monument,” 2017, Archival pigment print. Walnut Hill in Hudson, NY is presenting a group exhibition titled “What Could Possibly Go Wrong?” (curated by Stephen Mallon). The exhibition opens with a reception on May 24th and will be on view through July 28, 2019. We welcome