ClampArt is very pleased to announce that Chad Hunt’s photograph, “A View from the door of a Blackhawk helicopter over the Kabul River. . .” is now in the permanent collection of the Worcester Art Museum in Massachusetts. To see more of Chad Hunt’s photographs at ClampArt: http://clampart.com/2012/02/chad-hunt-b-1974/ Blog post
Image: Brian Finke, “Untitled (Frat Boys #1),” 2005, Chromogenic print. Photographs by three of ClampArt’s artists—Brian Finke, Jesse Burke, and Henry Horenstein—are included in “The Drinking Show” at Sasha Wolf Gallery, July 10 – August 16, 2013: Sasha Wolf Gallery is proud to announce, “The Drinking Show,” a group show
Artist Amy Touchette is taking over Transgressor Magazine‘s Instagram account through July 2nd! Follow Amy Touchette @amostouchette and Transgressor Magazine @transgressormag. Also see the fantastic story in the September 2012 issue of Transgressor Magazine on Amy Touchette’s series, “Shoot the Arrow: A Portrait of The World Famous *BOB*”: http://clampart.com/2012/10/amy-touchette-shoot-the-arrow-a-portrait-of-a-spiritual-transsexual-transgressor-magazine/ For more
As reported by David Schonauer for Motion Arts Pro Daily: When she was attending the Rhode Island School of Design in the 1980s, photographer and filmmaker Jill Greenberg created a body of work she describes “drawings, paintings, and sculptures of little disgusting men in suits.” In 2012 she returned to
Four photographs by Frank Yamrus from his “Motion Series” are included in “Making Waves” at Daniel Cooney Fine Art, June 27 – August 2, 2013: Daniel Cooney Fine Art 508 – 526 West 26th Street, #9C New York, NY 10001 Other artists in the exhibit include Harry Callahan, Deborah Hamon,
Nancy Burson’s photograph, “Mankind,” is included in “Skin Trade” (curated by Martha Wilson and Larry List) at P.P.O.W., June 27 – July 27, 2013: “Skin Trade” explores the use skin as a subject or metaphor in art. The exhibition encompasses thirty-one artists of varying generations, with works that span from
Yesterday Frank Yamrus wrote about his new self portrait, “untitled (Red 2),” and the (then) pending decision by the Supreme Court concerning DOMA: “Untitled (Red 2)” was made after two landmark cases, Hollingsworth v. Perry, 12-144 (appealing California’s ban on same-sex marriage) and United States v. Windsor, 12-307 (appealing the
Two photographs from Frank Yamrus’ series, “Rapture,” are included in “Face Value” at The Kinsey Institue, April 12 – August 20, 2013: “Face Value: Portraits from The Kinsey Institute” explores the various ways that artists utilize the portrait. This exhibition in the main gallery includes contemporary and vintage photographs, as
ClampArt is pleased to announce that the Newport Art Museum in Newport, Rhode Island has acquired five new photographs by artist, Jesse Burke, for their permanent collection. The artworks are all a part of Burke’s most recent series, which is a collaboration with his young daughter Clover. View all of
The Mattatuck Museum mounts a solo show of work by artist Mark Beard, June 9 – September 8, 2013. Beard, an accomplished painter, print-maker, sculptor, and noted theatrical set designer is a master of fiction. His talent is so overflowing that he developed a number of distinct artist personalities with
Michael Lundgren, “Basin,” 2005, Gelatin silver print Four photographs by Michael Lundgren are included in “Looking at the New West: Contemporary Landscape Photography” at The Fralin Museum of Art, June 7 – December 15, 2013: This exhibition will feature six contemporary photographers—Robert Adams, Lois Conner, Michael Lundgren, Mike Osborne, Mark
“Henry Horenstein: Honky Tonk” opens at the Rayko Photo Center on Thursday, May 30, 2013. Rayko Photo Center 428 Third Street San Francisco, CA 94107 Forty years after he began documenting the country music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues.
Nancy Burson (b. 1948), “Mankind (An Oriental, a Caucasian, and a Black weighted according to current population statistics),” 1983-1985, Gelatin silver print from computer-generated negative, 14 × 11 inches, sheet Nancy Burson’s classic photograph, “Mankind,” is included in “I, You, We” at the Whitney Museum of American Art, April 25
“Mark Beard and his Entourage” opens at Mila Kunstgalerie in Berlin on Thursday, May 16, 2013. Mila Kunstgalerie Linienstrasse 154 10115 Berlin Mitte Germany The exhibition includes work by all five of Mark Beard’s alter egos: Bruce Sargeant, Hippolyte-Alexandre Michallon, Edith Thayer Cromwell, and Brechtholt Steeruwitz. For more information on
Drawing on his longtime interest in memory, architecture, and the life of the city, photographer Marc Yankus depicts moments of contemplation, stillness, and reverie through blurred streetscapes of fleeting color and the occasional figure. Yankus is represented by ClampArt and his work is featured on numerous book covers, theater posters,
Rachel Papo’s new series of photographs on homeschooling is in the Critical Mass Top 50. Critical Mass is a program about exposure and community. Photographers submit a 10-image portfolio. This work is then pre-screened by a committee of approximately 20 jurors. From those votes, the 200 top Finalists are determined.
Manjari Sharma, “Jacqueline (from the ‘Shower Series’),” 2009, Archival pigment print (Edition of 15), 16 × 22 inches. As part of the silent auction. ClampArt is very happy to be participating in Passport to the Arts on Saturday, May 4th, 2013: Passport to the Arts is a celebration of the
Mark Morrisroe (1959–1989), “Untitled (John S. and Jonathan),” 1985, Chromogenic print (negative sandwich), 16 × 20 inches ©The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. Two of Mark Morrisroe’s photographs are included in “I, You, We” at the Whitney Museum of American Art, April 25 – September 1,
Jill Greenberg will be signing copies of her book “End Times” at Paris Photo Los Angeles, on Saturday, April 27th, 2013. The book has a foreword by Brian Paul Clamp and essays by Paul Wombell, Jo-Ann Conklin, and Bill Moyers (Hardcover, 120 pages, 12 x 9.5 inches). Signed copies are
The Korean publication, “SajinYesul Photographic Art Magazine,” names the ClampArt booth at The AIPAD Photography Show one of the top nine in the fair. PDF of the article SajinYesul Photographic Arts Magazine, 2013 Top 9 from AIPAD Browse all of Mark Morrisroe’s work at ClampArt Blog post by: Brian Paul