Full disclosure: I am a HUGE Lena Dunham fan! I was thrilled to learn that Robin Schwartz, one of ClampArt’s artists, was hired to photograph Dunham’s new pooch for The New Yorker. The image accompanies an article by Dunham about her adventures with the dog. To see the original article:
Artist Stephen Wilkes adds two new images to his highly successful series, “Day to Night.” One shot is of the famous Santa Monica Pier in California, and the other picture is Barack Obama’s recent inauguration in Washington, DC. Browse Stephen Wilkes’ series, “Day to Night” Browse all of Stephen Wilkes’
Join artist Bill Armstrong and collector W. M. Hunt for a conversation on color photography at the Aperture Foundation. Taking inspiration from the book, I Send You This Cadmium Red, which features correspondence between critic John Berger and artist John Christie, Hunt and Armstrong have initiated a dialogue about color
A fantasy children’s book intended for infants and toddlers, Flying Henry follows the story of a baby who develops a magical ability to fly. Aware of his rare gift, he soars through his home, into nature, and unfamiliar places, testing the limits of his new skill by examining the world
Jill Greenberg’s work is included in a new exhibition curated by Lynn Stein for the Rockland Center for the Arts. “FACE it” is a portrait show featuring “many of the most well-known photographers that transcend the line between editorial photography and fine art.” Other participating artists include Valerie Belin, Robert
Work from Jesse Burke’s new series is included in the 2013 RISD Faculty Biennial at the Rhode Island School of Design Museum, February 22 – March 17, 2013: “An inspiring visual buffet” (Providence Phoenix), this longstanding tradition showcases studio work by RISD’s outstanding full- and part-time faculty in painting, sculpture,
The Racine Art Museum features work by Racine-raised artist Karen Gunderson. While the history of painting is filled with portraits, still lifes, and natural world imagery, monochromatic canvases that are representational are unexpected. Open through April 14, 2013, “Karen Gunderson: Reflective” features all-black, large-scale paintings of constellations, moons, mountains, and
Mark Morrisroe (1959–1989), “Untitled (Tina Turner),” c. 1981, Gum bichromate print, 24 15/16 × 20 7/8 inches, The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur, Switzerland. ©The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. Mark Morrisroe’s work is featured in the exhibition, “Blues for Smoke,” at
ClampArt is pleased to share that the Museum of Fine Arts, Houston has acquired another print by Rachel Papo for the permanent collection. The photograph titled, “Military kiosk counter,” was shot in Shaare Avraham, Israel, and is currently included in the museum’s landmark exhibition, “WAR/PHOTOGRAPHY: Images of Armed Conflict and
ClampArt is happy to announce that the Museum of Fine Arts, Houston has acquired a print from Rachel Papo’s series, “Desperately Perfect,” for their permanent collection. Browse Rachel Papo’s series, “Desperately Perfect” Browse all of Rachel Papo’s work at ClampArt Blog post by: Brian Paul Clamp, Director
Jesse Burke’s work will be featured in a solo exhibition titled, “High Life,” at the Carol Schlosberg Alumni Gallery at Montserrat College of Art in Beverly, Massachusetts, January 7 – February 9, 2013: “Montserrat College of Art presents a solo exhibition of Jesse Burke’s photographs in the Carol Schlosberg Alumni
Two of Nancy Burson’s iconic diptychs are in included in EXIT (Issue #48), which is titled “Artificial Beauty.” In her essay “Someday We’ll All Be Cyborgs,” which is included in the magazine, Rosa Olivares writes: “The pursuit of beauty meets with the desire for eternal youth at the doors of
Forbes India Magazine has a collectors edition flagship issue of 350 pages every year. This year their focus was a comprehensive list of the 100 Richest Indians. I was invited by Anjan Das, Art Director of Forbes, for a really thrilling collaboration. Right this moment India is enthusiastically celebrating Diwali—the
Rachel Papo’s photograph, “Military kiosk counter,” is included in the landmark exhibition, “War/Photography: Images of Armed Conflict and Its Aftermath,” at the Museum of Fine Arts, Houston. Curator, Anne Wilkes Tucker, along with Will Michels and Natalie Zelt, spent a decade organizing this astonishing show. Rachel Papo and I flew
9.00 a.m. Frank Yamrus discusses his photography project and book “I Feel Lucky.” In his talk he will touch on his process for building and securing gallery representation and his marketing strategies. 9:30 – 11.00 a.m. Frank Yamrus and Blake Fitch discuss how to build successful professional relationships in the
Been traveling from Las Vegas, Nevada to Camden, New Jersey. Last week my current project on U.S. Marshals brought me to South Texas to photograph the daily activities of the deputies who work the border towns. To see all of Brian Finke’s work at ClampArt: http://clampart.com/2012/02/brian-finke/ Blog post by: Brian
Lori Nix’s work is featured in “Nature’s Toolbox: Biodiversity, Art and Invention” now on display at the Field Museum in Chicago. The exhibition, which includes work by 38 renowned artists, explores the connection between conserving nature and the quality of human life, and was produced by the nonprofit, Art Works
Henry Horenstein will discuss his classic work, “Honky Tonk,” which is being reissued this month as a monograph from WW Norton & Company with prints currently on exhibition at ClampArt. Also shown will be portions of a documentary about Horenstein’s career over the last 40 years, which is being produced
Two of Kobi Israel’s photographs are featured in “The Sexuality Spectrum” at Hebrew Union College / Jewish Institute of Religion Museum in NYC (curated by Laura Kruger). The exhibition explores a broad range of subjects, including the evolving social and religious attitudes toward sexuality. For more information on the exhibition:
Nancy Burson’s photograph, “Warhead I,” from 1982 is featured in “After Photoshop: Manipulated Photography in the Digital Age” at The Metropolitan Museum of Art, which opened last evening. “Warhead I” is a digital composite of world leaders from the early 1980s weighted in terms of the number of nuclear warheads