Jesse Burke’s work will be featured in a solo exhibition titled, “High Life,” at the Carol Schlosberg Alumni Gallery at Montserrat College of Art in Beverly, Massachusetts, January 7 – February 9, 2013: “Montserrat College of Art presents a solo exhibition of Jesse Burke’s photographs in the Carol Schlosberg Alumni
Jesse Burke writes: “I use my Instagram account as a visual journal or diary of sorts. I mostly post what my family and I do on a daily basis, which of course includes photos of my children. The new terms of service are not totally surprising knowing that they originated
Please come and visit us at CONTEXT Art Miami, now through Sunday. CONTEXT is located at the Art Miami Pavilion, Midtown in the Wynwood Arts District, 3201 NE 1st Avenue, Miami, FL 33137. We are in Booth D 19 showing a selection of our gallery artists. Seen here, left to
Two of Nancy Burson’s iconic diptychs are in included in EXIT (Issue #48), which is titled “Artificial Beauty.” In her essay “Someday We’ll All Be Cyborgs,” which is included in the magazine, Rosa Olivares writes: “The pursuit of beauty meets with the desire for eternal youth at the doors of
Forbes India Magazine has a collectors edition flagship issue of 350 pages every year. This year their focus was a comprehensive list of the 100 Richest Indians. I was invited by Anjan Das, Art Director of Forbes, for a really thrilling collaboration. Right this moment India is enthusiastically celebrating Diwali—the
Rachel Papo’s photograph, “Military kiosk counter,” is included in the landmark exhibition, “War/Photography: Images of Armed Conflict and Its Aftermath,” at the Museum of Fine Arts, Houston. Curator, Anne Wilkes Tucker, along with Will Michels and Natalie Zelt, spent a decade organizing this astonishing show. Rachel Papo and I flew
9.00 a.m. Frank Yamrus discusses his photography project and book “I Feel Lucky.” In his talk he will touch on his process for building and securing gallery representation and his marketing strategies. 9:30 – 11.00 a.m. Frank Yamrus and Blake Fitch discuss how to build successful professional relationships in the
Been traveling from Las Vegas, Nevada to Camden, New Jersey. Last week my current project on U.S. Marshals brought me to South Texas to photograph the daily activities of the deputies who work the border towns. To see all of Brian Finke’s work at ClampArt: http://clampart.com/2012/02/brian-finke/ Blog post by: Brian
Lori Nix’s work is featured in “Nature’s Toolbox: Biodiversity, Art and Invention” now on display at the Field Museum in Chicago. The exhibition, which includes work by 38 renowned artists, explores the connection between conserving nature and the quality of human life, and was produced by the nonprofit, Art Works
Henry Horenstein will discuss his classic work, “Honky Tonk,” which is being reissued this month as a monograph from WW Norton & Company with prints currently on exhibition at ClampArt. Also shown will be portions of a documentary about Horenstein’s career over the last 40 years, which is being produced
Two of Kobi Israel’s photographs are featured in “The Sexuality Spectrum” at Hebrew Union College / Jewish Institute of Religion Museum in NYC (curated by Laura Kruger). The exhibition explores a broad range of subjects, including the evolving social and religious attitudes toward sexuality. For more information on the exhibition:
Nancy Burson’s photograph, “Warhead I,” from 1982 is featured in “After Photoshop: Manipulated Photography in the Digital Age” at The Metropolitan Museum of Art, which opened last evening. “Warhead I” is a digital composite of world leaders from the early 1980s weighted in terms of the number of nuclear warheads
Check out Rachel Papo’s wonderful photographs backstage at the NYC Ballet for “New York Magazine”: http://nymag.com/thecut/2012/09/backstage-with-the-new-york-city-ballet-dancers.html Browse all of Rachel Papo’s work at ClampArt Blog post by: Brian Paul Clamp, Director
Four photographs by artist, Jesse Burke, are included in “America in View: Landscape Photography” at the RISD Museum in Providence, Rhode Island, which opens tonight from 5.30 – 8.30 pm! A broad panorama of the country’s topographies and correlating narratives, “America in View” reveals a nation’s ambitions and failings, beauty
Brian Finke has long been a fan of BBQ. Of course, he is also a food photographer. Check out a couple of pictures from his grill on Breuckelen Gastronaut’s Tumblr site, and have a fantastic Labor Day weekend!: http://breuckelengastronaut.tumblr.com/post/30520826043/brian-finke-summer-bbq For more photographs by Brian Finke: http://clampart.com/2012/02/brian-finke/ Blog post by: Brian
Artist Jesse Burke is taking over The New Yorker‘s Instagram account for one week! Follow Jesse Burke @jesse_burke and The New Yorker @newyorkermag. What a great summer image, huh? The flying animal is Jesse’s baby girl, Poppy. For more of Jesse Burke’s work: http://clampart.com/2012/02/jesse-burke/ Blog post by: Brian Paul Clamp, Director
ClampArt is pleased to report that The Library of Congress in Washington, DC acquired three photographs from “Not In Your Face” by Susan Barnett for their permanent collection. To see more images from Barnett’s series: http://clampart.com/2012/02/susan-a-barnett/ Blog post by: Brian Paul Clamp, Director
ClampArt is happy to announce that the New-York Historical Society on Central Park West has acquired two cityscapes by artist Marc Yankus for their permanent collection. To see more of Yankus’ landscapes/cityscapes: http://clampart.com/2012/04/landscapescityscapes/ Blog post by: Brian Paul Clamp, Director
Henry Horenstein’s underwater photographs are on permanent display at the National Aquarium: 501 East Pratt Street, Baltimore, MD 21202. For more images from Horenstein’s series, “Animalia”: http://clampart.com/2012/04/animalia/ Blog post by: Brian Paul Clamp, Director
From Cortona… The organizers did a beautiful job with the whole festival, and the juxtaposition of my large, modern outdoor prints against the classic architecture is amazing. Good times! See Brian Finke’s blog for more images of his mammoth “Flight Attendants” prints as they are displayed in Italy for the