2011
Signed and numbered on label, verso
Archival pigment print
27 x 40 inches, image
(Edition of 5 + 2 APs)
$3200.00
20 x 30 inches, image
(Edition of 10 + 2 APs)
$2300.00
13 x 19 inches, image
(Edition of 10 + 2 APs)
$1500.00
Archives
Target
2013
Signed and numbered on label, verso
Archival pigment print
27 x 40 inches, image
(Edition of 5 + 2 APs)
$3200.00
20 x 30 inches, image
(Edition of 10 + 2 APs)
$2300.00
13 x 19 inches, image
(Edition of 10 + 2 APs)
$1500.00
Six Degrees
Rhode Island School of Design 2015 MFA Graduate Show
June 25 – July 3, 2015
Opening Reception:
Thursday, June 25, 2015
6:00 – 8:00 p.m.
“Six Degrees” is an exhibition that represents a selection of the work created by the 2015 graduates of the RISD MFA Photography Program. The artists have been guided in critiques and thesis committee meetings by a rich and diverse group of faculty and guests. Ann Fessler, Eva Sutton, and Steven Smith have led the graduate group critique. Students have benefited from individual and guest critiques from artists Brian Ulrich, Justin Kimball, Lisa Young, and Penelope Umbrico; critics Douglas Nickel and Alison Nordström; museum director Natasha Egan; and gallerist Brian Paul Clamp.
All graduates have completed a thesis book, monograph, and a portfolio of prints—now part of the RISD photo archive, which includes work by such former graduates as Bill Burke, Talia Chetrit, Jim Dow, Linda Connor, Emmet Gowin, David Benjamin Sherry, Christina Seely, and Francesca Woodman, among many others.
Barn Owl
2012
Signed and numbered, verso
Deep Matte (Digital C) print, painted frame (Edition of 3 + 2 APs)
19 x 15 inches
$2000.00, including mounting/framing
Please note that prices increase as editions sell.
Lindsay Morris | “Being Yourself,” PDN
From Photo District News:
Lindsay Morris visited an annual weekend summer camp for gender-nonconforming children and their families in 2007, embarking on a personal project that has since captured the interest of audiences worldwide. The camp, for kids ages 6-12, encourages freedom of expression in a judgement-free environment. Morris has photographed the camp and its attendees for the past six years, and in 2012, campers and their families gave Morris permission to publish her photos in a cover story for the “New York Times Magazine.” “You Are You” has since been published worldwide (including by “PDN”).
Browse the exhibition “You Are You” at ClampArt
Browse all of Lindsay Morris’ work at ClampArt
Lori Nix and Marc Yankus included in New Jack City
Left: Lori Nix, “Subway”; Right: Marc Yankus, “Stairs Building”
Lori Nix and Marc Yankus are both included in the Humble Arts Foundation’s online exhibition New Jack City.
One of the most common challenges I hear when speaking with photographers living and working in urban environments is the ability to make insightful, visually arresting work that “hasn’t been done before.” It’s the oldest cliche and barrier to to inspiration. While this is likely true to any environment or artistic tradition, cities as subject matter–either because of their tourist appeal, or natural magnetism to artists and photographers–have become increasingly tricky. New York City’s Coney Island is often perceived as overdone and “off limits,” while Times Square is “tired and trite.” Photographing architecture, at least on the surface, rings of high school photo101 assignments more than a great leap towards pushing photography into the next dimension. In speaking and working with photographers closely over the past decade, I’ve found that this challenge has pushed many urban-dwelling photographers to retreat into their studios, immersing themselves in still life and “process based” photography, away from the potentially cliché concrete jungle outside.
Using this understanding as a launch point, we invited photographers to submit work that addressed a range of approaches to the urban environment with hopes that it might not only free them from the fear of the faux-pas, but potentially surface some unexpected angles on capturing contemporary city life.
Check out the wide range of work in this online exhibition curated by Amani Olu and Jon Feinstein.
View the exhibition
Read the exhibition statement
Browse all of Lori Nix’s work at ClampArt
Browse all of Marc Yankus’ work at ClampArt
Blog post by:
Brian Paul Clamp, Director
Amy Touchette | “Jennifer McClure and Amy Touchette,” The LPV Show
From Bryan Formhals for The LPV Show:
Candid or staged? It’s one of those debates that often get photographers riled up. In the past, I would empathically state my preference for candid photography but as I’ve studied more over the years, I’ve come to appreciate a multitude of photographic approaches. This episode offers a photographer on both ends of the candid or staged spectrum.
I met Jennifer McClure while I was reviewing at PhotoNola a few years back. It turned out we live in the same neighborhood. I’ve yet to run into while going to the grocery store but I have seen her at a few photo events over the years and have followed her progress online. It was great to see her win CENTER’s Editor’s Choice in 2013 after years of hard work. She continues to push forward with new projects and recently started photographing single people in New York City which may sound simple but as you’ll hear in the show, turns out to be quite challenging. The internet opens doors but often times when you walk through them you end someplace you never expected.
Several years back when I was infatuated with street photography, I discovered Amy Touchette’s street portraits and end up featuring her series “The Insiders” on the magazine. Since then I’ve followed her career through Instagram and Facebook. Her book of black and white documentary photographs of “The World Famous *BOB*” showed another aspect to her photography which I found intriguing. She’s one of those fanatical photographers whose always making photographs, mostly of strangers out on the streets of New York. Her Instagram of “Street Dailies” is another good example of a photographer using the platform to share high quality photographs. It’s a perfect platform for her style of spontaneous street portraiture.
Browse the series “The Insiders” at ClampArt
Browse the series “Shoot the Arrow: A Portrait of The World Famous *BOB*” at ClampArt
Browse all of Amy Touchette’s work at ClampArt
Janet Delaney | “A City in Transformation,” Fotografia Magazine
From the introduction to the interview with Janet Delaney from Fotografia Magazine:
South of Market is a large neighborhood in San Francisco which takes its name from its location south of Market Street, one of the city’s major thoroughfares. At the end of the 1970s, the neighborhood went through an extensive redevelopment process that changed much of its face and deeply impacted on the life of the local residents.
American photographer Janet Delaney moved to the area exactly in that moment of change, and decided to use photography to document the spirit of the area before it was too late. Now that San Francisco is in transformation again to keep up with its status as dream city of start-uppers and venture capitalists, Janet’s series South of Market has gained new relevance, and a lot of attention. Last year, it became a photobook (now sold out) published by Mack; and the work is currently on show at San Francisco’s de Young Museum.
Untitled (from the series “30,000 Feet”)
2007
Signed and numbered on label, verso
Archival pigment print
16 x 20 inches, sheet
(Edition of 10)
$750.00
30 x 40 inches, sheet
(Edition of 10)
$2500.00
50 x 60 inches, sheet
(Edition of 10)
$4500.00
Untitled (from the series “30,000 Feet”)
2007
Signed and numbered on label, verso
Archival pigment print
16 x 20 inches, sheet
(Edition of 10)
$750.00
30 x 40 inches, sheet
(Edition of 10)
$2500.00
50 x 60 inches, sheet
(Edition of 10)
$4500.00
Spiral
2018
Watercolor and photo collage
12 x 12 inches
$1500.00
Untitled
2015
Signed and numbered on label, verso
Archival pigment print
16 x 20 inches, sheet
(Edition of 10)
$750.00
30 x 40 inches, sheet
(Edition of 10)
$2500.00
50 x 60 inches, sheet
(Edition of 10)
$4500.00
Untitled
2013
Signed and numbered on label, verso
Archival pigment print
16 x 20 inches, sheet
(Edition of 10)
$750.00
30 x 40 inches, sheet
(Edition of 10)
$2500.00
50 x 60 inches, sheet
(Edition of 10)
$4500.00
Untitled (from the series “30,000 Feet”)
2007
Signed and numbered on label, verso
Archival pigment print
16 x 20 inches, sheet
(Edition of 10)
$750.00
30 x 40 inches, sheet
(Edition of 10)
$2500.00
50 x 60 inches, sheet
(Edition of 10)
$4500.00
Untitled (from the series “Shibuya”)
2007
Signed and numbered on label, verso
Archival pigment print
16 x 20 inches, sheet
(Edition of 10)
$750.00
30 x 40 inches, sheet
(Edition of 10)
$2500.00
50 x 60 inches, sheet
(Edition of 10)
$4500.00
Untitled
2015
Signed and numbered on label, verso
Archival pigment print
16 x 20 inches, sheet
(Edition of 10)
$750.00
30 x 40 inches, sheet
(Edition of 10)
$2500.00
50 x 60 inches, sheet
(Edition of 10)
$4500.00
Lori Nix has a solo museum show in Europe
Lori Nix has a solo exhibition titled “Lori Nix: The Power of Nature” on display at the Museum Schloss Moyland from May 10 – August 9, 2015. This is the artist’s first solo museum show in Europe.
Lori Nix (b. 1969) is a storyteller par excellence. In her photographs she whisks the viewer off to fictive places such as a museum, library, launderette or shopping mall, which bear testimony to the past existence of human beings on this earth and the achievements of their civilizations.
With her photographs, the motifs of which are based on small-scale dioramas that she constructs herself, the artist threatens to topple our anthropocentric view of the world. Human control centers and public places are reduced to absurdity. Nature alone remains, the last bastion of life.
Museum Schloss Moyland
Am Schloss 4
47551 Bedburg-Hau
GERMANY
+49 (0)2824 9510-60
http://www.moyland.de/en/exhibitions/lori-nix-the-power-of-nature.html
Browse Lori Nix’s series “The City”
Browse all of Lori Nix’s work at ClampArt
Blog post by:
Brian Paul Clamp, Director
Untitled (from the series “Iceland”)
2007
Signed and numbered on label, verso
Archival pigment print
16 x 20 inches, sheet
(Edition of 10)
$750.00
30 x 40 inches, sheet
(Edition of 10)
$2500.00
50 x 60 inches, sheet
(Edition of 10)
$4500.00
Stephen Brecht, Bride/Groom
New York, 1970
Signed, titled, and numbered in black ink, recto
Gelatin silver print
20 x 16 inches, sheet
15 x 15 inches, image
(Edition of 50)
Sold.
Adam in the Park
New York, 1982
Signed, titled, dated, and numbered, recto
Gelatin silver print (Edition of 50)
14 x 11 inches, sheet
10 x 10 inches, image
Contact gallery for price.