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Jeanette Montgomery Barron | “Relive New York’s Iconic Art Scene,” Wallpaper*

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From Brook Mason’s article for Wallpaper*:

New York’s 1980s art world, then chock a block with Warhol’s infamous Factory, along with regular sightings of Jean-Michel Basquiat and Cindy Sherman on the prowl, is now somewhat clouded by today’s hipster galleries that dominate Chelsea. Yet that particular chapter in history can be relived in all its glory via the photographer Jeanette Montgomery Barron’s scrapbook-like tome, “My Years in the 1980s New York Art Scene,” which is packed with her snaps, shot in the studios of Andy Warhol, Keith Haring and other now notable artists, as well as gallery posters and “Village Voice” reviews.

View the original article

Browse Jeannette Montgomery Barron’s “Portraits from the 1980s” at ClampArt
Browse all of Jeanette Montgomery Barron’s work at ClampArt

Jesse Burke | “Wild & Precious,” Musée Magazine

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From the Musée Magazine post concerning Jesse Burke’s exhibition at ClampArt:

“Wild & Precious” brings together landscapes, portraits, and still life imagery which Jesse Burke photographed during a series of road trips with his daughter Clover from 2010 to 2015 to explore the natural world. To encourage a connection with nature, Burke used these adventures as a tool to give Clover an education that he considers essential—one that develops an appreciation and respect for the planet’s wildlife and natural resources, the importance of conservation, and self-confidence.

View the original article with installation images

Browse the exhibition “Wild & Precious” at ClampArt
Browse all of Jesse Burke’s work at ClampArt

Henry Horenstein’s “Animalia” at the Southeast Museum for Photography

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Henry Horenstein’s “Animalia” at the Southeast Museum for Phot

Henry Horenstein’s solo exhibition of work from his Animalia series opens at the Southeast Museum of Photography in Daytona Beach, Florida on October 16, 2015 and runs through February 7, 2016.

Animalia is a body of work in which the artist presents elegant and engaging representations of an eclectic mix of land animals and sea creatures, emphasizing their unique qualities and characteristics through his evocative and mysterious images. This body of work was created between 1995 and 2001, culled from images taken at various zoos and aquariums.

Elizabeth Werby, Executive Director at the Harvard Museum of Natural History, writes of the series:

“The combination of the scientific and the metaphorical, the artistic and the analytical in these images is what accounts for their extraordinary power.”

Henry Horenstein is author of over thirty books and monographs published by Viking, Chronicle, powerHouse, Stewart, Tabori & Chang, and Pond Press, including Honky Tonk, Humans, Racing Days, Creatures, Aquatics, Canine, and Close Relations. Photography students worldwide have used his textbooks, including Black & White Photography, published by Little, Brown, which has sold close to seven hundred thousand copies to date. Horenstein lives in Boston and is a professor of photography at Rhode Island School of Design.

Southeast Museum for Photography
Daytona State College
1200 International Speedway Boulevard
Daytona Beach, FL 32114
(386) 506-4475
http://smponline.org/ex_HHorenstein_Animalia.html#.ViEMNBNVhBc

See Henry Horenstein’s series “Animalia”
Browse all of Henry Horenstein’s work at ClampArt


Blog post by:
Brian Paul Clamp, Director

Henry Horenstein | “Animalia,” On View Magazine

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From Robert Horenstein’s article for On View Magazine:

The rich sepia-toned prints that comprise “Animalia” represent Horenstein’s distinct exploration of animal portraiture. Drawing on elements of his strong documentary background, Horenstein offers no cuddly, sentimental moments. Instead, deconstructing his subjects into ambiguous fragments of skin, scales and hair, Horenstein challenges our anticipated ways of seeing, inviting us to pause, look closely, and think about what is in front of us. In doing so, he engages our curiosity and draws us into careful consideration of his subjects. By encouraging the viewer to really look, Horenstein’s abstracted images become more truly representative than traditional animal photographs.

View the original article

Browse the series “Animalia” at ClampArt
Browse all of Henry Horenstein’s work at ClampArt

James T. Murray

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This series came about as a result of James T. Murray’s belief that we are approaching a point where everyplace has been photographed. Murray loves travel and photographing landscapes and vistas, but the once exotic places he dreamed of going when he was younger now have been photographed, uploaded, and downloaded ad infinitum. So, he decided to begin looking inward instead. This series was shot in Murray’s studio in New York City using a very high resolution digital back and studio lights. What exactly was photographed is about as inorganic a substance as you can think of. The artist was drawn to how natural and organic it appears in imagery. The subject’s lack of scale and context is mysterious and fascinating.

Jesse Burke | “Wild & Precious,” Juxtapoz Magazine

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From Canbra Hodsdon’s article for Juxtapoz Magazine:

In his newly released book “Wild & Precious,” photographer Jesse Burke visually explores a five year time period of his daughter Clover’s youth. The book spans from her days as a curious and fearless child to her transformation into an intuitive and confident adolescent. Through their journeys across the country, Burke provided an education for his daughter that encouraged a thorough understanding and strong bond with nature.

A solo exhibition of work from “Wild & Precious” will open at ClampArt (531 West 25th Street, New York, NY 10001) in New York on October 14 and remain on view through November 14. There will be an opening reception and book signing with the artist on Thursday, October 14, from 6-8pm.

View the original article

Browse the exhibition “Wild & Precious” at ClampArt
Browse all of Jesse Burke’s work at ClampArt

Jesse Burke | “Take a Walk in the Wilderness,” Slate

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From Jordan G. Teicher’s article for Slate:

When Jesse Burke’s oldest daughter, Clover, was nearly 5, he took her on a road trip from their home in Rhode Island up the coast to Canada. His plan was to photograph landscapes, but inevitably, he started taking photos of Clover as well. Halfway through their journey, he realized that those photos were the most interesting ones. Wild & Precious, which will be published by Daylight Books on Oct. 15, collects photos from more than two dozen trips the pair took together over the next five years.

Sometimes they’d just hop in the car and roam New England for the weekend. Other times they’d get on a plane and spend weeks in another part of the country during school vacations. The goal was always to further instill in Clover a knowledge and appreciation of nature.

View the original article

Browse the exhibition “Wild & Precious” at ClampArt
Browse all of Jesse Burke’s work at ClampArt

Rachel Papo | “The Lives of Home-Schooled Children,” Slate

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From David Rosenberg’s article for Slate:

When Rachel Papo moved to Woodstock, New York, in 2010, she met a mother who was home-schooling her 5-year-old daughter. Papo had never met anyone who home-schooled his or her child and was intrigued. Turned out, it was fairly common in the area. Over the next couple of years, Papo photographed these students along with their families for her series “Homeschooled”; she currently has a Kickstarter campaign to help turn it into a book.

“I choose a topic that I think will have some kind of visual interest, and then I kind of dive in and spend a few hours and let them do what they do, and I follow them around,” she said. “I never really plan anything.”

View the original article

Browse the series “Homeschooled” at ClampArt
Browse all of Rachel Papo’s work at ClampArt

Jesse Burke | “Father-Daughter Road Trip,” PDN

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Jesse Burke’s series “Wild & Precious” selected as a top pick by editor Holly Stuart Hughes in Photo District News:

“I want my children to genuinely understand how magical the world we inhabit is and how we, as humans, are an integral part of the system,” Burke writes. “I want them to feel a deep connection to every aspect of their surroundings.” Many of the photos in “Wild & Precious” show the forests and rocky coastline they explored, but much of the series conveys his awe and delight in his daughter’s adventurous spirit. He shows Clover staring out to sea from atop a rock on the shore, nestled in the tall grass of a field, holding a butterfly, and also tucked into a bed in a roadside motel.

View the original article

Browse the exhibition “Wild & Precious” at ClampArt
Browse all of Jesse Burke’s work at ClampArt

John Arsenault | “Barmaid,” Out Magazine

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From Out Magazine:

The site of the leather bar Eagle LA in Los Angeles has been home to three highly popular leather bars over the decades—the Shed from 1968-1972, the Outcast from 1972-1983, and the famous Gauntlett II from 1983-2005. The Eagle LA, which opened its doors in 2006, follows a long-standing tradition of leather fetish and uniform set forth by leather Eagle bars around the country.

In 2011, photographer John Arsenault (born 1971) took a job as a barback or “barmaid” (as he liked to refer to the position) at the Eagle LA where he felt he was meant to be at this moment in his life.

View the original article

Browse the series “Barmaid” at ClampArt
Browse all of John Arsenault’s work at ClampArt

Frances F. Denny | “Rose-Colored Glasses,” A Women’s Thing

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From Allison Geller’s interview with Frances F. Denny for A Women’s Thing:

Remember Warheads candy? The pictures that make up AWT contributing photographer Frances F. Denny’s newest series, “Pink Crush,” are something like reverse Warheads: sweet on the outside with a pop of acid on the inside. Shot in a palette that would make Lisa Frank proud, the photographs examine relics of 90s girlhood through the critical lens of an artist who lived it.

Read the full interview

Browse the series “Pink Crush” at ClampArt
Browse all of Frances F. Denny’s work at ClampArt

Frances F. Denny | “Let Virtue Be Your Guide,” Baxter Street Camera Club

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From Liz Saleson’s interview with Frances F. Denny for the Baxter Street Camera Club:

LS: Your title comes from a piece of embroidery?

FFD: “Let Virtue Be a Guide to Thee” was the title of a 1982 Rhode Island Historical Society exhibition of colonial girls’ embroidery samplers. I discovered the catalog in a library and I began thinking about this word “virtue.” I feel like is not a commonly used word so much anymore.

LS: I hear it used ironically.

FFD: Right, exactly, because, historically it’s about chasteness, the preservation of virginity. But I wonder, what does it mean to live a moral life as a woman today?

View the original interview

Browse the series “Let Virtue Be Your Guide” at ClampArt
Browse all of Frances F. Denny’s work at ClampArt

Work by Rachel Papo included in a show at HERE Arts Center

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Work by Rachel Papo included in a show at HERE Arts Center
Image: Rachel Papo, “Backstage at the Marinsky Theater,” 2007, Digital C-print.

Work by Rachel Papo is included in “FiveSixSevenEight” at HERE Arts Center in New York City, which closes on October 10, 2015. Curated by Dan Halm, other artists include Nir Arieli, Glenys Barton, Tad Beck, and Dana Bell.

The rhythm, the synchronicity of motion, music pulsating, undulating, bodies contorting. Dance continues to inspire and motivate artists and vice versa; this relationship between the two art forms has a rich historical significance, most notably Degas and Toulouse-Lautrec. This perfect marriage between the two art forms allows viewers to experience the power of dance, the vehicles for expression, the motivation of collaboration, and the grace and beauty of it all.

HERE Arts Center
145 6th Avenue
New York, NY 10013
Click here for more information

View Rachel Papo’s series “Desperately Perfect”
Browse all of Rachel Papo’s work at ClampArt

Blog post by:
Andrew Kurczak, Gallery Assistant

Let Virtue Be Your Guide

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“Let Virtue Be Your Guide” examines the artist’s family and their deeply rooted history as early settlers of New England. One ancestor, John Howland, was a deckhand aboard The Mayflower. Unearthing the idea of feminine “virtue” from the confines of its historical meaning, the photographs of the women in the artist’s family have a watchful quality, as if the artist is defining for herself what it means to be a woman. Her sitters, and the domestic spaces they inhabit, together evoke a distinct and well-worn privilege. In the photographs seams pull apart exposing the shifts occurring across generations of women. The resulting collection of images becomes a search for meaning in heritage, a challenge to the notion of legacy, and the artist’s reckoning with a traditional version of American femininity.

Photographs included in “Let Virtue Be Your Guide” were taken between 2011-2014. They were made in nine private residences located in Maine, Massachusetts, New York, and Rhode Island.