2000
Signed, dated, and numbered, verso
Gelatin silver print
24 x 20 inches
(Edition of 15)
$1500.00
Please note that prices increase as editions sell.
2000
Signed, dated, and numbered, verso
Gelatin silver print
24 x 20 inches
(Edition of 15)
$1500.00
Please note that prices increase as editions sell.
1995
Signed, dated, and numbered, verso
Gelatin silver print
20 x 16 inches, sheet
15 x 15 inches, image
(Edition of 10)
$4,250
14 x 11 inches, sheet
10 x 10 inches, image
(Edition of 10)
$3,000
10 x 8 inches, sheet
7 x 7 inches, image
(Edition of 10)
$3,800
Please note that prices increase as editions sell.
Literature:
David Leddick, The Male Nude (Köln, Germany: Taschen, 2005), p. 537, full-page illus.
1996
Signed, dated, and numbered, verso
Gelatin silver print
20 x 16 inches, sheet
15 x 15 inches, image
(Edition of 30)
$3,500
Please note that prices increase as editions sell.
1995
Signed, dated, and numbered, verso
Gelatin silver print
20 x 16 inches, sheet
15 x 15 inches, image
(Edition of 10)
$3,500
14 x 11 inches, sheet
10 x 10 inches, image
(Edition of 10)
$2,600
10 x 8 inches, sheet
7 x 7 inches, image
(Edition of 10)
$2,500
Please note that prices increase as editions sell.
1994
Signed, dated, and numbered, verso
Gelatin silver print
20 x 16 inches, sheet
15 x 15 inches, image
(Edition of 10)
$4,500
14 x 11 inches, sheet
10 x 10 inches, image
(Edition of 10)
$2,600
10 x 8 inches, sheet
7 x 7 inches, image
(Edition of 10)
$2,800
Please note that prices increase as editions sell.
1995
Signed, dated, and numbered, verso
Gelatin silver print
20 x 16 inches, sheet
15 x 15 inches, image
(Edition of 30)
$3,000
Please note that prices increase as editions sell.
1995
Signed, dated, and numbered, verso
Gelatin silver print
20 x 16 inches, sheet
15 x 15 inches, image
(Edition of 10)
$4,500
14 x 11 inches, sheet
10 x 10 inches, image
(Edition of 10)
$2,600
10 x 8 inches, sheet
7 x 7 inches, image
(Edition of 10)
$2,200
Please note that prices increase as editions sell.
1995
Signed, dated, and numbered, verso
Gelatin silver print
20 x 16 inches, sheet
15 x 15 inches, image
(Edition of 10)
$3,500
14 x 11 inches, sheet
10 x 10 inches, image
(Edition of 10)
$2,600
10 x 8 inches, sheet
7 x 7 inches, image
(Edition of 10)
$2,200
Please note that prices increase as editions sell.
1995
Signed, dated, and numbered, verso
Gelatin silver print
20 x 16 inches, sheet
15 x 15 inches, image
(Edition of 10)
$4,500
14 x 11 inches, sheet
10 x 10 inches, image
(Edition of 10)
$2,600
10 x 8 inches, sheet
7 x 7 inches, image
(Edition of 10)
$2,800
Please note that prices increase as editions sell.
1999
Stamped and numbered, verso
Gelatin silver print
24 x 20 inches, sheet
(Edition of 10)
$2200.00
20 x 16 inches, sheet
(Edition of 10)
$1800.00
14 x 11 inches, sheet
(Edition of 15)
$1500.00
Please note that prices increase as editions sell.
Literature:
Smalley, Luke, Gymnasium (Twin Palms: Santa Fe, New Mexico, 2001), full-page illus., n.p.
Szalay, David, All That Man Is (Milan, Italy: Adelphi Edizioni, 2017), cover illus.
We are pleased to announce that ClampArt will be exhibiting in the Houston Fine Art Fair, September 14 – 16, 2012.
This will be the second year of the fair. Last year, over 10,000 enthusiastic art lovers explored the offerings of 83 dealers.
Houston is home to many major museums, a thriving gallery scene, and a strong base of passionate collectors and patrons. For 2012, the fair will be held in the Reliant Center – – the leading entertainment complex in the state. The fair site is adjacent to Reliant Park, home stadium of the popular NFL Houston Texans. Reliant Center is also a neighbor of the world respected Houston Medical Center.
Show Times:
Thursday, September 13, 6 – 7:30pm (Opening Preview Party)
Friday, September 14, 11am – 7pm
Saturday, September 15, 11am – 7pm
Sunday, September 16, 11am – 6pm
Blog post by:
Brian Paul Clamp, Director
The editors at Out Magazine wrote a feature on ClampArt’s exhibition, “Master and Apprentice: Hippolyte-Alexandre Michallon (1849-1930) and Bruce Sargeant (1898-1938)”:
http://www.out.com/entertainment/art-books/2012/04/02/sexy-imaginary-art-bruce-sargeant
Check out the slideshow of eight images.
Blog post by:
Brian Paul Clamp, Director
Informed by major events in his own life, Gaz’s “Ensnared” series explores themes of loss, memory, transition, and transformation. Throughout these images ensnarement is allegorized by the actions and effects of the archetypes of hunter and hunted. Gaz finds these roles to be oddly interchangeable, caught up in a cycle in which each is trapped by the other – – where neither is ever free of the other’s influence, but nevertheless transformation still takes place.
Informed by major events in his own life, Gaz’s “Ensnared” series explores themes of loss, memory, transition, and transformation. Throughout these images ensnarement is allegorized by the actions and effects of the archetypes of hunter and hunted. Gaz finds these roles to be oddly interchangeable, caught up in a cycle in which each is trapped by the other – – where neither is ever free of the other’s influence, but nevertheless transformation still takes place.
Informed by major events in his own life, Gaz’s “Ensnared” series explores themes of loss, memory, transition, and transformation. Throughout these images ensnarement is allegorized by the actions and effects of the archetypes of hunter and hunted. Gaz finds these roles to be oddly interchangeable, caught up in a cycle in which each is trapped by the other – – where neither is ever free of the other’s influence, but nevertheless transformation still takes place.
During his youth, artist Stan Gaz was fascinated by the notion of meteorites. Thus, as an adult he began to photograph meteorite impact structures and their surrounding landscapes. Many of these locations are sacred to various tribal communities and have a variety of stories and beliefs attributed to them. Although many versions exist, most relate to the notion of the craters possessing secrets of mankind’s origin.
Craters are simultaneously destruction, creation, life, and death. They are examples of life both environmentally and visually. The “Impact” series is not only an exploration of these landscapes, but it also serves a metaphor for our world’s tenuous position in the larger universe.
During his youth, artist Stan Gaz was fascinated by the notion of meteorites. Thus, as an adult he began to photograph meteorite impact structures and their surrounding landscapes. Many of these locations are sacred to various tribal communities and have a variety of stories and beliefs attributed to them. Although many versions exist, most relate to the notion of the craters possessing secrets of mankind’s origin.
Craters are simultaneously destruction, creation, life, and death. They are examples of life both environmentally and visually. The “Impact” series is not only an exploration of these landscapes, but it also serves a metaphor for our world’s tenuous position in the larger universe.
Growing up in the Mohave Desert, photographer Stan Gaz was exposed to an extreme, harsh environment. The images in the “Ash” series are photographic drawings, which combine symbolic imagery with ash to communicate issues of fragility, morality, and memory. Gaz brings into play processes, materials, and events that represent the tenuous nature in which we exist.
The wide breadth of Gaz’s subjects encompasses personal experiences, hate crimes, and historical art pieces, among others.
Growing up in the Mohave Desert, photographer Stan Gaz was exposed to an extreme, harsh environment. The artworks in the “Ash” series combine symbolic imagery with ash to communicate issues of fragility, morality, and memory. Gaz brings into play processes, materials, and events that represent the tenuous nature in which we exist.
The wide breadth of Gaz’s subjects encompasses personal experiences, hate crimes, and historical art pieces, among others.
2013
Signed, dated, and numbered, verso
Digital C-print
28 x 20 inches
(Edition of 11)
$1800.00
Please note that prices increase as editions sell.