Alter Egos

September 11 – October 11, 2014

Opening Reception:
Thursday, September 11, 2014
6:00 – 8:00 p.m.

ClampArt is pleased to announce “Mark Beard: Alter Egos”—the artist’s fourth solo show at the gallery.

A visit to Mark Beard’s studio is akin to discovering Michelangelo’s lair: oil paintings cover the walls; life drawings are scattered on the tops of tables nestled at the feet of heroic bronzes; and ceramics and architectural maquettes abound—virtuosity in every medium. But then it gets even more interesting. Beard’s talents and artistic energy are in such abundance that over twenty years back he began channeling his creative output into a variety of alter egos. The persona of “Bruce Sargeant” was the first conceived—an imaginary British artist born in 1898 and a contemporary of such intellectuals as E.M. Forster, Rupert Brooke, and John Sloan. Then came Sargeant’s teacher, Hippolyte-Alexandre Michallon (1849-1930), a 19th-century French Academician. The fraternity continued to grow with other students of Michallon’s, such as Edith Thayer Cromwell (1893-1962), an American avant-garde painter and close friend of Sargeant’s; in addition to Brechtholt Streeruwitz (1890-1973), a troubled German Expressionist and arch-rival of Beard’s original alter ego. Mark Beard is certainly unprecedented, but not singular. Accomplished in every medium, he is more than a complete artist—he is now at least eight or nine, working in as many distinct and unique styles.

“Alter Egos” at ClampArt is a showcase of works by Beard’s first personae—Bruce Sargeant (1898-1938), Hippolyte-Alexandre Michallon (1849-1930), Edith Thayer Cromwell (1893-1962), and Brechtholt Streeruwitz (1890-1973). However, recently more artists have emerged, and the exhibition will feature paintings by Beard’s newest personalities, including the Hudson River School painter Beard Beard (b. 1885) and the queer contemporary artist Buggereau (b. 1956).

Born in Salt Lake City, Utah, in 1956, Mark Beard is a well-established artist living in New York City with artworks in the permanent collections of the Metropolitan Museum of Art, New York City; the Museum of Modern Art, New York City; the Whitney Museum of American Art, New York City; the Museum of Fine Arts, Boston; the Wadsworth Atheneum Museum of Art, Hartford, Connecticut; Harvard University, Cambridge, Massachusetts; Yale University, New Haven, Connecticut; Princeton University, New Jersey; among many, many others.

Jen Davis included in exhibition at Sous Les Etoiles Gallery

Jen Davis included in exhibition at Sous Les Etoiles Gallery
Image: Jen Davis, “December 18, 2009.”

Jen Davis’ “Webcam” series is included in the exhibition “The Play and Staging of the Self: Five Photographers on Identity” at Sous Les Etoiles Gallery in New York City.

[The exhibition] explores the construction of identity and its ongoing evolution, with a special emphasis on the play and staging of the self. Here, the act or experience, rather than biological history, is highlighted. As boundaries between socially and culturally constructed identities, including body modifications, are reexamined within diverse arrays of sexual and gender groups, the malleability of the self is revealed, and a new transparency of the function, role and position of identity emerges.

In this assembly of photographs, the construction of identity varies as radically as the modes of dress in Chris Rijksen’s “Gender as a Performance” series, in which the artist executes a fluid performance of self-portraiture in both traditionally masculine and feminine attire. In both Laia Abril’s “Asexuals Project” and Olya Ivanova’s “Weirdo” the individual is presented as part of a group identity in order to gain visibility, understanding, and legitimacy in an increasingly networked age. In contrast are scenes from Lindsay Morris’ “You are You” series, wherein gender-variant boys play out their interpretations of femininity at a gender-noncomforming summer camp, and Jen Davis’ “Webcam” series, in which Davis pairs self-portraits and screenshots of “Alexi,” an invented object of desire. While diverse in both their approach and aesthetics, each series casts a fresh glance on the making and experience of identity in an ever-changing social landscape.

Sous Les Etoiles Gallery
560 Broadway #603
New York, NY 10012
http://souslesetoilesgallery.net/exhibition/on+identity

Opening Reception:
September 10, 2014
6.00 p.m. – 8.00 p.m.

Browse Jen Davis’ “Webcam” series
Browse all of Jen Davis’ work at ClampArt

Blog post by:
Brian Paul Clamp, Director

Marc Yankus’ photobook on display at the Phoenix Art Museum


Image: Marc Yankus, “Ancient,” 2008.

Marc Yankus’ self-published photobook, The Point of Secret, is included in an exhibition of publications curated by Rebecca Senf for INFOCUS, the Photography Support Organization of the Phoenix Art Museum.

The purpose of the exhibition is to explore the range of ways that artists are using newly available commercial technologies in order to express themselves. A jury made up of seven industry professionals reviewed 271 submissions from 15 countries in the Americas, Europe, Asia, and Australia. The exhibition represents the 151 books they chose, as examples of the wide range of photobooks being produced today.

…In a well-crafted book, the artist considers every element of the book’s design, and uses each to enhance the finished product.

The exhibition is currently on view and runs through Sunday, September 28th, 2014.

Phoenix Art Museum
Doris and John Norton Gallery for the Center for Creative Photography
1625 North Central Avenue
Phoenix, AZ 85004-1685
(602) 257-1880

For more information:
http://www.infocus-phxart.org/photobooks/

Browse Marc Yankus’ work at ClampArt

Blog post by:
Keavy Handley-Byrne, Gallery Assistant

Manjari Sharma | “Watery Revelations,” Los Angeles Times

From Barbara Davidson’s article for the Los Angeles Times:

When it began, Sharma was not perfectly comfortable with nudity. “I ended up photographing women and gay men for a while, until the series really began to gather its own steam,” she said. “The part that came naturally to me was the conversation, and what would occur after we walked into the shower was effortless. It was amazing to me how something that began so awkwardly would end in such immense ease and and with such lyrical understanding.”

View a PDF of the original article

View Manjari Sharma’s “Shower Series”
Browse all of Manjari Sharma’s work at ClampArt

James Bidgood included in Permanency at the Leslie Lohman Museum


Image: James Bidgood, “Willow Tree (Bruce Kirkman),” mid-1960s.

The Leslie Lohman Museum of Gay and Lesbian Art recently acquired Willow Tree by James Bidgood from ClampArt for their permanent collection. The photograph will be on display from August 14 – September 28, 2014, as part of the exhibition Permanency: Selections from the Permanent Collection. Approximately 70 objects will be on display, including photographs and collages, paintings, drawings, and prints from the mid-20th century to 2013.

“Permanency” features artwork recently accessioned by the museum, which is currently comprised of approximately 1,300 pieces. This exhibit will feature work from the mid-20th century to 2013, artists including James Bidgood, Dyke Action Machine (DAM), Nan Goldin, Red Grooms, Harmony Hammond, Robert Indiana, Deborah Kass, George Platt Lynes, Duane Michals, Annie Sprinkle, Arthur Tress, and many others.

The Leslie-Lohman Museum is operated by the Leslie/Lohman Gay Art Foundation, Inc., a non-profit founded in 1987 by Charles W. Leslie and Fritz Lohman, who have supported gay and lesbian artists for over 30 years. The Leslie-Lohman Museum embraces the rich creative history of the gay and lesbian art community by informing, inspiring, entertaining, and challenging all who enter its doors.

The Leslie-Lohman Museum of Gay and Lesbian Art
26 Wooster Street
New York, NY 10013
https://www.leslielohman.org/visit.html

Opening Reception:
August 14, 2014
6.00 p.m. – 8.00 p.m.

View the Press Release
Browse all of James Bidgood’s work at ClampArt

Blog post by:
Keavy Handley-Byrne, Gallery Assistant

Western Photography Guild

Don Whitman (1917-1998), a native of Denver, Colorado, founded the Western Photography Guild in 1947, which remained active for the next fifty years. He also served as one of the founders of the Mr. Colorado Bodybuilding Competition in 1950—an annual showcase for local talent, where he photographed many competitors for over twenty years.