c. 1996
Platinum print
14 x 11 inches
Sold.
Archives
Nude Man and Woman in the Grass (White Rabbits)
1986
Signed, inscribed, and dated in pencil, verso
Vintage gelatin silver print
9 x 13 inches
Sold.
Nude Male in the Grass (White Rabbits)
1986
Signed, inscribed, and dated in pencil, verso
Vintage gelatin silver print
13 x 9 inches
Sold.
Untitled (from the series “Iceland”)
2007
Signed and numbered on label, verso
Archival pigment print
16 x 20 inches, sheet
(Edition of 10)
$750.00
30 x 40 inches, sheet
(Edition of 10)
$2500.00
50 x 60 inches, sheet
(Edition of 10)
$4500.00
Untitled (from the series “Iceland”)
2007
Signed and numbered on label, verso
Archival pigment print
16 x 20 inches, sheet
(Edition of 10)
$750.00
30 x 40 inches, sheet
(Edition of 10)
$2500.00
50 x 60 inches, sheet
(Edition of 10)
$4500.00
Untitled
2007
Signed and numbered on label, verso
Archival pigment print
16 x 20 inches, sheet
(Edition of 10)
$750.00
30 x 40 inches, sheet
(Edition of 10)
$2500.00
50 x 60 inches, sheet
(Edition of 10)
$4500.00
Adam Ekberg | “An aerosol container. . . ,” Harper’s Magazine
From the story Adam Ekberg’s photograph illustrates in Harper’s Magazine:
Most of W’s perceptions were acquired by looking from outside into the interior of lighted dwellings; what he saw was filtered through double panes and veiling curtains…while he, outside, was in a different atmosphere, the fog-swirled atmosphere of the dark where all movement within the living rooms’ inward light seemed unreal to him, shoddy fictions.
Browse the series “Minor Spectacles” at ClampArt
Browse all of Adam Ekberg’s work at ClampArt
McDermott & McGough
David McDermott was born in 1952 in Hollywood, California. He studied at Syracuse University, New York from 1970 to 1974. Peter McGough was born in 1958 in Syracuse, and studied at the same university in 1976. Their paths never crossed until they both moved to New York City some years later and started their artistic collaboration in 1980. Their photography involves appropriating images and objects from the late 19th century to the mid 20th century, as well as projecting an image of themselves as gentlemen, posing as erudite, impertinent characters. During the 1980s, McDermott & McGough dressed, lived, and worked as artists and “men about town,” circa 1900-1928. They wore top hats and detachable collars, and converted a townhouse on Avenue C in New York City’s East Village, which was lit only by candlelight, to its authentic mid-19th century ideal. “We were experimenting in time,” says McDermott, “trying to build an environment and a fantasy we could live and work in.”
Like their lifestyle, their photographs and paintings are a flat refusal to embrace the historical present. This obsession with the past is reflected in the subjects and styles they bring back to life, and in the precise fictional dates they give to their works. The personal dimension of their work makes it into a deliberately provocative and controversial contemporary artistic performance dealing with political and sociological issues.
McDermott & McGough’s work has appeared in solo and group exhibitions at such institutions as Frankfurter Kunstverein; The Whitney Museum of American Art, New York City; The New Museum of Contemporary Art, New York City; Centre Pompidou, Paris; Kunsthalle Wien, Vienna; the Irish Museum of Modern Art, and others.
Irving Penn (1917-2009)
Irving Penn was an American photographer most known for his iconic contribution to fashion photography. He also photographed portraits and still life compositions. He is well-remembered and respected for his arresting images and masterful printmaking.
Untitled
2013
Signed and numbered on label, verso
Archival pigment print
16 x 20 inches, sheet
(Edition of 10)
$750.00
30 x 40 inches, sheet
(Edition of 10)
$2500.00
50 x 60 inches, sheet
(Edition of 10)
$4500.00
Untitled
2007
Signed and numbered on label, verso
Archival pigment print
16 x 20 inches, sheet
(Edition of 10)
$750.00
30 x 40 inches, sheet
(Edition of 10)
$2500.00
50 x 60 inches, sheet
(Edition of 10)
$4500.00
Untitled
2016
Signed and numbered on label, verso
Archival pigment print
16 x 20 inches, sheet
(Edition of 10)
$750.00
30 x 40 inches, sheet
(Edition of 10)
$2500.00
50 x 60 inches, sheet
(Edition of 10)
$4500.00
Untitled
2017
Signed and numbered on label, verso
Archival pigment print
16 x 20 inches, sheet
(Edition of 10)
$750.00
30 x 40 inches, sheet
(Edition of 10)
$2500.00
50 x 60 inches, sheet
(Edition of 10)
$4500.00
“Boston to New York: David Armstrong (1954-2014), Nan Goldin (b. 1953), and Mark Morrisroe (1959-1989)”
ClampArt is very proud to present “Boston to New York: David Armstrong (1954-2014), Nan Goldin (b. 1953), and Mark Morrisroe (1959-1989),” on display from May 14 – June 20, 2015.
View the exhibition photos and press release in full
PDF of the press release
“Boston to New York: David Armstrong (1954-2014), Nan Goldin (b. 1953), and Mark Morrisroe (1959-1989)”
Browse all of David Armstrong’s work at ClampArt
Browse all of Nan Goldin’s work at ClampArt
Browse all of Mark Morrisroe’s work at ClampArt
Untitled
2013
Signed and numbered on label, verso
Archival pigment print
16 x 20 inches, sheet
(Edition of 10)
$750.00
30 x 40 inches, sheet
(Edition of 10)
$2500.00
50 x 60 inches, sheet
(Edition of 10)
$4500.00
“Will McBride: Salem Suite”
ClampArt is pleased to present “Salem Suite”—a series of photographs by artist Will McBride (1931-2015) from 1963.
View the exhibition photos and press release in full
PDF of the press release
“Will McBride: Salem Suite”
Untitled
2015
Signed and numbered on label, verso
Archival pigment print
16 x 20 inches, sheet
(Edition of 10)
$750.00
30 x 40 inches, sheet
(Edition of 10)
$2500.00
50 x 60 inches, sheet
(Edition of 10)
$4500.00
Untitled
2012
Signed and numbered on label, verso
Archival pigment print
16 x 20 inches, sheet
(Edition of 10)
$750.00
30 x 40 inches, sheet
(Edition of 10)
$2500.00
50 x 60 inches, sheet
(Edition of 10)
$4500.00
Marc Yankus | “Timeless Architecture,” Slate
From David Rosenberg’s article for Slate:
In 2013, while walking around Manhattan, Marc Yankus took a photograph of the Goldman Sachs building that stands along the Hudson River in Jersey City. When he got home to look at the image, he was struck by its sharpness and the detail of the building he could see.
“It was fascinating because I felt I could feel the image,” he said.
Over the next couple of years, Yankus decided to bring what he saw and felt into a series called “Buildings” that, although distinctly different than his previous work, maintains his sense of timelessness and what he calls his “nontraditional” photography.
Browse the series “Buildings” at ClampArt
View all of Marc Yankus’ work at ClampArt
Brian Finke | “Carnivore’s Dilemma,” PDN Photo Annual
From PDN‘s Photo Annual:
Introducing the winners of the 2015 “PDN” Photo Annual: We are honored to have the opportunity to present a record of the year’s most compelling images, from highly visible ad campaigns and editorials, to photojournalism stories, to personal series from established and student photographers. Join us in congratulating this group of singular artists. We thank the jury for their hard work and sharp eyes, and our sponsors for their generosity. We extend a special thank you to all the photographers and organizations who entered work this year.
For the Magazine/Editorial category, Brian Finke wins for “Carnivore’s Dilemma—a shoot for “National Geographic”: “Carnivore’s Dilemma” poses the question, “Is America’s appetite for meat bad for the planet?”