ARTIST

David Armstrong, Yellow Cab, Upper East Side
NYC
David Armstrong, Penn Station Cafe
8th Ave, NYC
David Armstrong, 14th Street and 9th Avenue
14th Street and 9th Avenue
David Armstrong, Building, Potsdam
Building, Potsdam
David Armstrong, George in the Water
George in the Water, Provincetown
David Armstrong, Bruce and George, Provincetown
Bruce and George, Provincetown
David Armstrong, Andrew at the Bowery
Andrew at the Bowery
David Armstrong, Yannis, Bed Stuy
Yanis, Bed Stuy
Armstrong David, Sean, E. River Park, NYC
Sean, East River Park, NYC
David Armstrong, Kevin at Elizabeth Street
Kevin at Elizabeth Street
Genaro and Costas, NYC, David Armstrong
Genaro and Costas, New York City
Jeff Kresser, David Armstrong
Jeff Kresser

David Armstrong was born in 1954, in Arlington, Massachusetts, and graduated from the Satya Community School, an alternative high school in Cambridge, Massachusetts, where he met Nan Goldin at the age of 14. He then enrolled at the School of the Museum of Fine Arts in Boston as a painting major, but soon switched his concentration to photography after studying alongside Goldin, with whom he shared an apartment. He attended the School of the Museum of Fine Arts and Cooper Union from 1974–78, and earned a BFA from Tufts University in 1988.

During the late 1970s, Armstrong became associated with the “Boston School” of photography, which included artists such as Nan Goldin, Mark Morrisroe, and Jack Pierson. Armstrong first received critical attention for his intimate portraits of men. In the 1990s, he began photographing cityscapes and landscapes in soft focus to contrast with the sharpness of his portraits.

In 1981, Armstrong created a series of black-and-white portraits which he showed at PS1’s “New York/New Wave” exhibition. In 1996, Elisabeth Sussman, curator of photographs at the Whitney Museum, enlisted Armstrong’s help in composing Nan Goldin’s first retrospective. She gained such respect for Armstrong’s eye, she acquired work for the Whitney Museum’s permanent collection, and he was subsequently featured in the 1994 Whitney biennial.

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