EXHIBITION

Flatiron Building
The Ansonia
The Empire
Nineteenth Street
New City
Chelsea Blues
Dorilton Apartments
West Seventy-Second
Bank on Eighth
Pale Yellow and Blue
Haughwout Building
Barber Shop
Seventh and Bedford
Three Buildings on West Tenth Street
Tinsmith
Charles Street West of Hudson
Bushwick Cafe
South Village Fence
Row of White Buildings
Empty Lot in the West Village
Houston Street

October 13 – November 26, 2016

Opening reception:
Thursday, October 13, 2016
6:00 to 8:00 pm

ClampArt is pleased to announce the opening of “The Secret Lives of Buildings,” Marc Yankus’s fifth solo show at the gallery, and the inaugural exhibition in our new, expansive storefront space in the Flower District of Manhattan.

Marc Yankus’s dreamlike portraits of New York City buildings straddle a fine line between documentary and fiction. In “The Secret Lives of Buildings” he captures the city’s architecture in an uncanny moment of stillness, free from the frenzy of people and cars. The sense of quietude lends elegance to the structures, both majestic and humble. Yankus inspires viewers to see historical buildings with a fresh perspective, offering an idealized and even utopian version of the past, while other buildings are viewed through a lens of potential. In separate scenes, the decay of crumbling concrete, chipped-away paint, and remnants of deconstruction paradoxically inspire a sense of agreeable nostalgia.

“On my way to the museum one day [when I was a boy], I was horrified to see wrecking crews knocking down one of my favorite buildings, a Beaux-Arts apartment building on 79th Street. In the months that followed, a monstrosity of a tower rose in its place. And while that eyesore is still standing today, the lost building—gone now for 40 years—endures in my memory [as] a fading, elegiac postcard of a lost time and place. In my current artwork, I seek to document New York’s iconic, lost, and forgotten architecture, from humble, small buildings to soaring skyscrapers. . . The buildings are not presented simply as they are. Muted of distracting visual noise, they represent my vision of how they ought to be seen.”

Work by Marc Yankus

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