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Silent Piano

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(from the series “Yesterday, Today and Tomorrow”)
2013

Signed and numbered, verso

30 x 40 inches
Digital C-Print (Edition of 5)
$2500.00

20 x 24 inches
Chromogenic print (Edition of 7)
$1500.00

Please note that prices increase as editions sell.

Fallen Angel

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2013

Signed and numbered, verso

30 x 40 inches
Digital C-Print (Edition of 5)
$2500.00

20 x 24 inches
Chromogenic print (Edition of 7)
$1500.00

Please note that prices increase as editions sell.

“Frances F. Denny: Let Virtue Be Your Guide”

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ClampArt is pleased to present “Frances F. Denny: Let Virtue Be Your Guide”—an exhibition to coincide with the release of the artist’s monograph of the same title from Radius Books (Hardcover, 9.75 x 10.5 inches, 128 pages, 36 color plates, $45). This is Frances F. Denny’s first solo show.

View the exhibition photos and press release in full

PDF of the press release
“Frances F. Denny, Let Virtue Be Your Guide”

Browse all of Frances F. Denny’s work at ClampArt

Karen Gunderson | “Grounding the Clouds,” The Journal Times

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From Michael Burke’s article for The Journal Times:

Racine native Karen Gunderson pulled the clouds down this week and packed them up for a trip to New York.

Gunderson is the artist who created the large cloud paintings that had hung in the sanctuary at Our Savior Lutheran Church, 2219 Washington Ave., since the mid-1990s. But no longer.

Back then Gunderson, now a New York resident, went to Our Savior Lutheran Church with her mother after her father died. She remembers seeing “ugly brown acoustic cloth” and unattractive green stucco on the sanctuary walls. “It was awful; it was so depressing,” she said.

“I thought, ‘These people need something nicer to look at.’ ”

View the article in full

Browse all of Karen Gunderson’s work at ClampArt

Work by Adam Ekberg on exhibit in Michigan

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Work by Adam Ekberg on exhibit in MichiganImage: Artist Adam Ekberg standing next to his photograph “Arrangement #2.”

Work by Adam Ekberg is currently on display at the University Gallery and Ford Gallery at Eastern Michigan University as part of the exhibition “Atmosphere”:

Co-curated by Profs. Amy Sacksteder and Jason DeMarte, “Atmosphere” examines the work of 14 artists whose work engages spaces and surroundings in an effort to create new conversation around space, its use, and its effect upon us. Artists included in the show straddle discussions of landscape and land use, interior and exterior spaces, mapping and location, site specificity, community and environmental needs, and metaphysical and surreal environs.

“Atmosphere”
October 26 – December 11, 2015

Eastern Michigan University/University Gallery, EMU Student Center
900 Oakwood Street
Ypsilanti, MI 48197
Click here for more information

Browse all of Adam Ekberg’s work at ClampArt

Blog post by:
Andrew Kurczak, Gallery Assistant

Jesse Burke | “Wild & Precious,” Lenscratch

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From Aline Smithson’s article for Lenscratch:

Jesse Burke is so much more than a celebrated photographer–he is a husband, father, storyteller, and champion of the natural world. His new monograph, Wild & Precious, published by Daylight Books, elevates his five-year personal narrative of fatherhood to a poetic collection of small stories that reveal the complexity and fragility of childhood and importance of a relationship with nature. The book is accompanied by an essay by Karen Irvine, Curator and associate director, Museum of Contemporary Photography at Columbia College Chicago, an essay by Ben Hewitt, Author of Home Grown: Adventures in Parenting off the Beaten Path, Unschooling, and Reconnecting with the Natural World, a poem by Dallas Clayton and letters by Jesse and Clover Burke.

View the original article

Browse the exhibition “Wild & Precious” at ClampArt
Browse all of Jesse Burke’s work at ClampArt

Mark Morrisroe | “Rafael Sanchez on Untitled,” Visual AIDS

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Artist Rafael Sanchez was selected to present a talk on Untitled by Mark Morrisroe (1959-1989) at the Whitney Museum of American Art in New York City.

From Visual AIDS:

Rafael Sánchez and Mark Morrisroe met as neighbors moving into the same building in Jersey City in 1985 when Morrisroe arrived in the NY area from Boston. They helped each other as young artists and confidants. Sánchez became a caregiver to Morrisroe in his last years; the complex nature of that experience is poetically chronicled in Sánchez’s essay “Panorama With Hood Ornament” in the influential Boston School exhibition catalogue (ICA, Boston, 1995). Sánchez discussed his personal recollections of Morrisroe, Morrisroe’s artistic process, and the Whitney Museum’s Morrisroe work “Untitled.”

View the original article
Listen to the original lecture given at the Whitney Museum

Browse all of Mark Morrisroe’s work at ClampArt