What is magic? In contemporary witchcraft circles, the notion of magic is seen as a practiced shift in consciousness. Though it is uncanny, magic is not supernatural. It is rooted in the mind—and in the earth. And photography itself is magical—a singular alchemy of vision, light, and glass.

On the heels of the Denny’s successful series “Major Arcana: Portraits of Witches in America,” she gave birth to her first child. “Spellwork” represents a rumination on the experience of childbirth and motherhood and comments upon the unique dynamic between a mother and her child.

The images in “Spellwork” are constructed in the studio using plants and flowers as well as personal items gathered from the artist’s home that together conjure a sense of collaborative, childlike play. Some of the plant materials were sourced from the artist’s backyard with others from grocery stores or specialty flower markets. All were chosen for their formal properties or symbolic resonance.

Each photograph features a flower invoking birth, fragility, and mortality, alongside a child’s symbolic “interruption.” Many images include a “magical” photographic shift (smoke, filters, blur, rainbows, refraction, spectral stars) and a plastic material representing a shield for the preservation of the self (often a container for a child’s mess). In the images the studio set becomes an altar; the act of creation is an incantation.

Together the images introduce a subjective duality of both artist and mother—the triumphant, deathly dance of those two roles, merging into one. The titles reference phrases from rituals and spells in The Spiral Dance by Starhawk.

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