From Brian K. Mahoney’s article “Parting Shot” for the February 2021 issue of Chronogram Magazine:
Ion Zupcu’s latest body of work draws on his earlier photographs of paper sculptures, though for his “Etudes on Glass,” Zupcu has moved into a colorful mode, leaving his black-and-white paper portraits behind. The primary colors, graceful curves, and crisp creases of the sculptures belie the work’s formal complexity. Their minimalist rigor brings to mind the repetitive phrases and shifting textures of composer Philip Glass, whose music was a primary influence on this body of work.
View the original article in full
View the series “Etudes on Glass”
Browse all of Ion Zupcu’s work at ClampArt