Susan Barnett

Susan Barnett Resume

Susan Barnett’s photographs are not about the t-shirts per se. “Not In Your Face” is a series about identity, validation, and perception. The artist looks for individuals who stand out in a crowd by the choice of the message on their back. The messages are combinations of pictures and words that reveal much about the identity of the wearer. They tell us who these people are and who they are not, who they want to be and what they want us to know about them. They demonstrate how individuals wear a kind of badge of honor that says “I belong to this group, not the other.” They advertise their hopes, ideals, dislikes, or political views. These individuals create their own iconography exploring the cultural, political, and social issues that impact our lives today. In light of bullying and stereotyping, “Not In Your Face” seeks a better understanding of our own judgments and biases. It presents a time capsule of the kind of messages that people are willing to wear and share without fear of reprisal.

Bodybuilding

Artist, Brian Finke, spent nearly two years photographing male and female bodybuilders at both professional and amateur competitions. As with his earlier work, Finke transforms what might be a standard photojournalistic project into something much more complex and wholly unique. In many ways, Bodybuilding is a direct continuation of the artist’s earlier interest in and exploration of athleticism — the pageantry and ritual, in addition to the artifice and irony of diversity within uniformity. At its most fundamental, this project comments upon our society’s obvious obsession with the body and appearances. Finke’s subjects have taken cultural standards of beauty to heart, and then pushed them beyond all comprehensible limits. Yet, without judgement or reproof (and instead with lighthearted humor), Finke opens our eyes to the inanity of our own obsessions.

Gregory Halpern | “A @ClampArt,” DLK Collection

From DLK Collection:

JTF (just the facts): A total of 24 color photographs, framed in white and unmatted, and hung in single room gallery space. The chromogenic prints come in two sizes: 10×8 (editions of 7) and 18×14 (editions of 5), with a few images also available in a 40×30 size (editions of 3). There are 8 images in the small size, 14 in the medium size, and 2 in the large size on display in the exhibit. The works were made between 2005 and 2011. A monograph of this body of work was published in 2011 by J&L Books.

View the original article

View the exhibition
Browse all of Gregory Halpern’s work at ClampArt

Stuart Allen

b. 1970

Stuart Allen is a visual artist whose work deals with fundamental elements of perception such as light, time, gravity, and space. His photographs, sculpture, and installation have been shown throughout the United States and abroad, and his work is found in many private and public collections.

Allen studied architecture at Kansas University and graduated from the photography and video department of the Kansas City Art Institute in 1993. He lives and works in San Antonio, Texas.

David Wojnarowicz (1954-1992)

David Wojnarowicz (1954–1992) was an American artist, writer, and activist whose work spanned painting, photography, film, performance, and literature. Emerging from New York’s East Village art scene in the 1980s, he addressed themes of sexuality, identity, politics, and the AIDS crisis with raw intensity and visual symbolism. Often incorporating found materials, personal narrative, and street imagery, his art challenged social stigma and government inaction around HIV/AIDS. Wojnarowicz’s work has been exhibited internationally and is held in major museum collections, and he remains a central figure in discussions of art and activism in late 20th-century America.

Brett Weston (1911-1993)

Brett Weston (1911–1993) was an American photographer known for his innovative black-and-white images that explore abstraction and form in natural and urban environments. The son of photographer Edward Weston, Brett began photographing as a teenager and developed a distinctive style characterized by sharp contrasts, strong compositions, and an experimental approach to perspective and scale. His work includes landscapes, nudes, and still lifes, and he is regarded as a key figure in 20th-century American photography. Weston’s photographs have been exhibited internationally and are held in major public collections including the Museum of Modern Art, New York.

Karlheinz Weinberger (1921-2006)

Karlheinz Weinberger (1921–2006) was a Swiss photographer known for his candid and striking portraits documenting youth subcultures in mid-20th-century Switzerland. His work captured rebellious groups such as rockers, punks, and bikers, highlighting their style, attitude, and individuality. Weinberger’s photographs combine documentary realism with a keen eye for personality and detail. Although largely self-taught, his work gained recognition late in his life and has since been exhibited internationally, contributing to the visual history of postwar European counterculture.

Todd Webb (1905-2000)

Todd Webb (1905-2000) was an American photographer known for documenting architecture and everyday urban life over the course of his long career and extensive travels. He was notably close friends with Georgia O’Keeffe, Ansel Adams, and Harry Callahan; and his work has been likened to that of Callahan, as well as Berenice Abbott, Walker Evans, and Eugène Atget. Webb’s photographs are included in major museum collections worldwide, including the Museum of Modern Art, New York City and the National Gallery of Art, Washington, DC.