2009
Signed, dated, and numbered, verso
Digital C-print
39 x 30 inches, image
(Edition of 5)
$5,500
29 x 22 inches, image
(Edition of 15)
$3,250
19 x 15 inches, image
(Edition of 25)
$2,000
2009
Signed, dated, and numbered, verso
Digital C-print
39 x 30 inches, image
(Edition of 5)
$5,500
29 x 22 inches, image
(Edition of 15)
$3,250
19 x 15 inches, image
(Edition of 25)
$2,000
2007
Signed, titled, numbered, and dated, verso
Archival pigment print
22 x 17 inches, sheet
(Edition of 15)
$1,400.00
17 x 11 inches, sheet
(Edition of 15)
$950.00
Please note that prices increase as editions sell.
2006
Signed, titled, dated, and numbered, verso
Archival pigment print
38 x 27 inches
(Edition of 9)
$2800.00
22 x 17 inches
(Edition of 15)
$1400.00
Please note that prices increase as editions sell.
2008
Signed, titled, dated, and numbered, verso
Archival pigment print
38 x 27 inches
(Edition of 9)
$2800.00
22 x 17 inches
(Edition of 15)
$1400.00
Please note that prices increase as editions sell.
(Bruce Kirkman),
1965 [034]
Signed, verso
Vintage C-print
3.5 x 3.5 inches
$7,000
(Tommy Coombs),
mid-1960s [028]
Signed, verso
Vintage C-print
3.5 x 3.5 inches
$7,000
(Bobby Kendall and Jay Garvin),
early 1960s [046]
Signed, verso
Vintage C-print
3.5 x 3.5 inches
$7,000
(Bobby Kendall and Jay Garvin),
early 1960s [056]
Signed, verso
Vintage C-print
3.5 x 3.5 inches
$7,000
(Bobby Kendall and Jay Garvin),
early 1960s [055]
Signed, verso
Vintage C-print
3.5 x 3.5 inches
$5,000
(Bruce Kirkman),
1965 [033]
Signed, verso
Vintage C-print
3.5 x 3.5 inches
$7,000
(Tommy Coombs),
mid-1960s [039]
Signed, verso
Vintage C-print
3.5 x 3.5 inches
$7,000
From Art Review:
The letter ‘A’, used as the abbreviated, codelike title of Gregory Halpern’s exhibitinon of photographs (an abridged version of his 2011 book of the same title), began to haunt me when I was three-quarters of the way in.
PDF of the original coverage
Art Review: Gregory Halpern
View the exhibition
Browse all of Gregory Halpern’s work at ClampArt
(Jay Garvin),
early 1960s [0029]
Signed, verso
Vintage C-print
3.5 x 3.5 inches
$7,000
A stylistic precursor of such artists as Pierre et Gilles and David LaChapelle, James Bidgood revolutionized gay male erotic imagery. Bidgood was the first to take the pulp and glamour aesthetic of the 40s and 50s and apply it to male erotic fantasies.
From a cramped Hell’s Kitchen tenement apartment in the 1960s, artist James Bidgood was amazingly able to complete the bulk of his creative output – – photographs which employ vibrant colors and exaggerated props and costumes to celebrate the male form.