January 7 – February 20, 2021
Past Exhibitions
CLAMP is pleased to announce artist Daniel Handal’s second solo show with the gallery.
September 10 – October 24, 2020
August 20 – September 4, 2020
July 29 – September 11, 2021
ClampArt’s exhibit “Bruce Sargeant (1898-1938): Private Paintings”—curated by New York artist Mark Beard (Bruce Sargeant’s great nephew).
ClampArt is pleased to present Joseph Desler Costa’s first solo show at the gallery. ‘Dream Date’ explores the intersection of nostalgia, desire, and mass media, using highly constructed photographs to reveal the ways in which technology and consumerism shape our imaginations.
ClampArt is pleased to present “Bill Armstrong | Falling Through History.” The series reimagines falling figures throughout Western art, exploring the universal human experience of falling – both physical and emotional.
CLAMP presents “Jack Balas | Checkered Passed” – with art work by the arts done in various mediums and often incorporating textual elements
January 9 – February 29, 2020
ClampArt presents “American Queen, American Dream: 30 Years of Self-Portraits by John Arsenault.” This exhibition showcases three decades of Arsenault’s self-portraits, exploring themes of identity, sexuality, and social commentary. Through his humorous and honest approach, Arsenault offers a personal and insightful reflection on his life and experiences as a gay artist.
CLAMP is pleased to announce “New York Unseen”—an exhibition of photographs by Marc Yankus. This is the artist’s sixth solo show at the gallery.
October 3 – November 16, 2019
August 15 – September 28, 2019
August 15 – September 28, 2019
ClampArt is pleased to announce “Zack Seckler | Above”—a mid-career retrospective of work surveying three series of aerial photography from Iceland, Botswana, and South Africa.
June 27 – August 9, 2019
June 13 – 21, 2019 Rhode
May 9 – June 21, 2019
ClampArt presents “Distant Mirrors” – an exhibition by Aziz + Cucher, featuring tapestries, monoprints, and screen prints, the show coincides with their inclusion in MASS MoCA’s “Suffering from Realness.”