U.S. Marshals

November 20 – January 3, 2014

Opening reception:
Thursday, November 20, 2014
6.00 – 8.00 pm

ClampArt is pleased to announce “Brian Finke: U.S. Marshals,” the artist’s fifth solo show at the gallery. The exhibition coincides with the release of Finke’s fourth monograph (powerHouse Books, Hardcover, 10.25 x 10.25 inches, 128 pages, $35).

Shot over the course of four years, “U.S. Marshals” chronicles the culture as well as the practices and procedures of the country’s oldest law enforcement agency. “I felt like it was my own version of the TV show ‘Cops,’” said Finke.

Established in 1798, the duties of the U.S. Marshals include apprehending fugitives, transporting and housing prisoners, and protecting witnesses and federal judges. Finke gained unprecedented access to document the Marshals in 2010 after re-connecting with a childhood friend—Deputy U.S. Marshal Cameron Welch. It did not take long at all for Finke to find himself in the thick of things. His first ride-along included a 120-mph pursuit of an escaped convict in Huntsville, Texas.

Finke photographed U.S. Marshals in cities across the country including Houston, Las Vegas, New York City, Syracuse, Utica, Philadelphia, Camden, Atlantic City, Phoenix, Los Angeles, and a handful of Texas border towns, including Brownsville, McAllen, Laredo, Del Rio, Alpine, and El Paso. The resulting images present a ground zero portrait of the most dangerous, conflict-seeking patrol force in the U.S.

Brian Finke graduated from the School of Visual Arts in New York City in 1998 with a BFA in photography. Since that time, he has had incredible success as an artist, with work placed in nine museum collections here and abroad. His first monograph was named one of the best photography books of 2004 by American Photo magazine. Also in 2004, Finke was one of twelve artists nominated for the International Center for Photography’s annual Infinity Award, and he won a prestigious New York Foundation for the Arts Fellowship.

For You!

November 20, 2014 – January 3, 2015 [EXTENDED]

Opening reception:
Thursday, November 20, 2014
6.00 – 8.00 pm

ClampArt is happy to present “For You!,” an exhibition of photographs by John Arsenault—the artist’s fourth solo show at the gallery.

Best known for his arresting self-portraits, Arsenault’s new series of photographs of roses highlights the artist’s fascination with quotidian beauty and the unexpected way in which the familiar can be celebrated through the use of readily available technology.

“For You!” reveals a tender, romantic side of Arsenault—an image-maker steeped in the history of art. In an aesthetic tradition echoing Georgia O’Keeffe, Arsenault’s tightly-focused photographs of flowers are a 21st-century update on a subject that has fascinated artists back to the 17th-century Dutch flower painters.

Composing the photographs with his iPhone and uploading them to Instagram, Arsenault is able to receive immediate feedback on new images from his followers. The ubiquitous nature of cell phone cameras and Instagram’s growth as a kind of casual “sketchbook” for many young artists is reflected in this project, which was often made during Arsenault’s daily routine. The innovations in digital file sharing then allow the photographer to send his images from his studio in Los Angeles to his printer in New York City instantaneously. The speed with which this allows him to work, in addition to the crowdsourced critique, have ultimately resulted in more images from which to create a tighter final edit, and a more streamlined process than his traditional working method with analog film.

Arsenault has said of this work: “I’ve always loved taking photographs of flowers because it reminds me of my late grandmother Elizabeth, and this is a way for me to honor her and my family roots.” Raised in a small town in northern Massachusetts, John Arsenault moved to New York City in 1997 to pursue a degree in photography at the School of Visual Arts. Arsenault’s work is represented in the permanent collections of the Nerman Museum of Contemporary Art in Overland Park, Kansas and the Museum of Fine Arts,
Houston.

Mariette Pathy Allen | “Three Decades of Humanising the Spectrum of Gender Roles,” The Magazine

From The Magazine‘s piece on Mariette Pathy Allen for their issue on “Social Documentary: The Unabridged Truth”:

From the very beginning, Mariette wanted to change what cisgender people think about people who are gender non-conformists. She wanted to “de-freakify,” humanize, and inspire people to free themselves from the necessity of conforming to traditional gender roles. By believing in her own work, she inspired others to help her cause and question what gender roles are.

View a PDF of the original article

Browse Mariette Pathy Allen’s portfolio “Transformations” at ClampArt

Manjari Sharma | “Mumbaikar, New Yorker,” India in New York

From Chaya Babu’s piece for India in New York:

Sharma’s move to New York was in 2009, but she had come to the United States initially in 2001 to get her BFA in Media Studies and Still Photography from Columbus College of Art and Design (though she already had one bachelor’s degree in Visual Communications from SVT College in India). She stayed in Ohio even after finishing a degree, working at a media company where she shot a diverse range of photographs of what she felt was quintessential American culture: From Metallica to country folks making apple butter to high school students learning in the classroom. She recalls that her transition from there to New York gave her an area of expertise–people–that she wouldn’t have found otherwise. “Having a ‘focus’ is kind of a new thing in Bombay,” Sharma says, once she arrives and talks about her career over coffee.

View a PDF of the original article
See the entire publication

Browse all of Manjari Sharma’s work at ClampArt

Adrain Chesser | “Avec les néo-nomades américains,” Sept.info

From Albertine Bourget’s article for Sept.info:

Today there are people who hear the call of [Henry David] Thoreau, and see a possibility of leading a less consumerist life. Thus, these Americans, photographed by Adrain Chesser, live a hunter-gatherer lifestyle in the western United States. His images are collected in the book “The Return.” The photographer’s adventure began in 2007, when he attended a Native American dance ceremony, “Naraya,” in Tennessee.

View a PDF of the original spread (French)
View a PDF translation (English)

Browse all of Adrain Chesser’s work at ClampArt

“Robert Voit: ‘New Trees’ and ‘The Alphabet of New Plants'”

ClampArt is pleased to announce the opening of “’New Trees’ and ‘The Alphabet of New Plants,’” a selection of photographs by German photographer Robert Voit.

View the exhibition photos and press release in full

PDF of the press release
“Robert Voit: ‘New Trees’ and ‘The Alphabet of New Plants'”

Browse all of Robert Voit’s work at ClampArt

Marc Yankus | “Portfolio,” Visual Arts Journal

From Angela Riechers article for the SVA Visual Arts Journal:

Marc Yankus (BFA 1981 Illustration) uses a combination of photography and digital manipulation (including an effect he refers to as a “cloud sandwich” — more on that later) to create dramatic portraits of city buildings rich with a sense of history and the dreamlike quality of memory. Yankus’ compositions present his structures as massive, brooding entities even as he directs a viewer’s attention to cracks, crevices, and such details as the ghostly remnants of long-demolished staircases.

View a PDF of the original spread

View the series
Browse all of Marc Yankus’ work at ClampArt

Join Brian Paul Clamp for a gallery talk at CCP

Join Brian Paul Clamp for a gallery talk at CCP
Image: Copyright Ed Flores, Installation shot of “Performance: Contemporary Photography from the Douglas Nielsen Collection” at the Center for Creative Photography.

Join ClampArt director, Brian Paul Clamp, in conversation with collector Douglas Nielsen at the Center for Creative Photography. Clamp and Nielsen will be walking through the museum’s current exhibition, “Performance: Contemporary Photography from the Douglas Nielsen Collection” (August 9, 2014 – January 4, 2015), and discussing artworks in the show, in addition to a variety of other topics.

Artists from ClampArt’s roster included in the exhibition include Bill Armstrong, John Arsenault, Nancy Burson, Brian Finke, Stan Gaz, and Amy Stein, among others.

“Performance: Contemporary Photography from the Douglas Nielsen Collection” was curated by Joshua Chuang, Chief Curator.

Center for Creative Photography
1030 North Olive Road
Tucson, AZ 85721-0103
(520) 621-7968
Thursday, October 9, 2014, 5.30 p.m.
For more information

Blog post by:
Keavy Handley-Byrne, Gallery Assistant

Marc Yankus | “Marc Yankus, 57, New York City,” Surface Magazine

From the “Avant Guardian” feature in Surface Magazine:

In the ’80s I lived in Soho and was inspired by the painter Francesco Clemente, who I met on an airplane in India in February this year. I sat behind him and didn’t realize who he was until we started talking. I also love the painter Eric Fischl. Both artists have nothing to do with architecture. I don’t really see myself as an architectural photographer — it just happens to be the subject, the element, that I’m working with right now. I’m more interested in surrealism and creating an unreal world.

View a PDF of the original spread

View the series, “Buildings”
Browse all of Marc Yankus’ work at ClampArt

Jill Greenberg & Amy Stein | “This Amazing Contemporary Photography Project Is Devoted Entirely To Cats,” The Huffington Post

From Katherine Brooks’ article for The Huffington Post:

Given the art world’s penchant for sticking its nose up at low brow trends beloved by internet plebeians everywhere, Feinstein’s project is pretty spectacular. “New Cats” shows off the work of artists like Jill Greenberg, Amy Stein and Madoka Hasegawa, and by giving the fur balls center frame for just a moment, Feinstein hopes to redirect admirers to the photographers’ non-cat specific portraits. We admire the philosophy: you come for the scintillating cat photos, stay for the genuinely intriguing aesthetics.

View the original article

View the online exhibition at Humble Art Foundation

Browse all of Jill Greenberg’s work at ClampArt
Browse all of Amy Stein’s work at ClampArt

Photographs by Guggenheim Fellow Pipo Nguyen-duy now available at ClampArt

Photographs by Guggenheim Fellow Pipo Nguyen-duy now available at ClampArtImage: Pipo Nguyen-duy, “Circle,” 2012, Archival pigment print.

ClampArt is pleased to announce that photographs from Guggenheim Fellow Pipo Nguyen-duy are now available. You can view twenty images from the series here: http://clampart.com/2014/10/pipo-nguyen-duy/.

Pipo Nguyen-duy’s series East of Eden originally shared a perspective with John Steinbeck’s novel of the same name, exploring the American landscape as a biblical paradise. Gradually, the project began to examine how the idea of paradise intersected with the casualties — both human and environmental — of the Vietnam War. Of the final incarnation of this body of work, Nguyen-duy writes:

Forty years after the war, the once destroyed landscape populated with school children in uniforms provided the perfect environment for my new work dealing with regeneration, hope, history, and legacy. The feral uniformed school children placed in the idealized landscape, without adults present, signify the beginning after the end.

Browse all of Pipo Nguyen-duy’s work at ClampArt

Blog post by:
Keavy Handley-Byrne

Jen Davis book signing at ICP

Jen Davis book signing at ICP

Photographer Jen Davis’ first monograph is the culmination of eleven years of self-portraiture. Along with five other artists whose books were published by Kehrer Verlag, Davis will be signing copies of Eleven Years at the International Center of Photography on Friday, October 3rd, 2014. Books will be offered for sale at the event in the ICP Bookstore, and the signings will be held in the museum lobby.

The International Center of Photography
Thursday, October 3, 2014
6.00 p.m. – 7.30 p.m.

View the publication, “Eleven Years”

View the series
Browse all of Jen Davis’ work at ClampArt

Blog post by:
Keavy Handley-Byrne, Gallery Assistant