Archives
Motive
1979
Xerox print
17 x 11 inches
Kathy Acker: Ahh, Michael, what was your motive in making Motive?
Michael McClard: That’s really a terrible question, Kathy.
—Interview in “Bomb Magazine”
Michael McClard’s film “Motive” premiered at New Cinema in March 1979, and is a Super 8 feature film portraying a punk psycho-killer as he plots to rig the Museum of Modern Art’s men’s room to electrocute random users. Produced by Michael McClard and Liza Béar. Written and directed by Michael McClard. Starring Jimmy DeSana with Paula Greif, and Tim Collins, John Lurie, Rae Spencer-Cullen, and Betsy Sussler.
G.E.
Literature:
Max Schumann (Editor) and Walter Robinson (Afterword), A Book About Colab (and Related Activities) (New York City: Printed Matter, Inc.), p. 58, illus.
Ecstatic Stigmatic, the film with a disease
1980
Xerox print
11 x 8.5 inches
Accompanied by one promotional postcard (6 x 5 inches); in addition to five film stills from “Ecstatic Stigmatic” (10 x 8 inches, each)
Screening at the Mudd Club
Not for sale.
Gordon Stevenson died in 1982, one of the East Village art community’s first casualties of the AIDS epidemic. He was a filmmaker, musician, and visual artist who played in Lydia Lunch’s band Teenage Jesus and the Jerks, appearing on the seminal No Wave album “No New York.” In 1980 Stevenson directed the No Wave film “Ecstatic Stigmatic, the film with a disease,” which was presciently named just on the brink of the first reported cases of the microbiological disaster silently unfolding within the unwitting radical downtown art community. A well-known figure of the village underground, Stevenson was close to such Lower East Side royalty as Fun Gallery director, Patti Astor, and actress-cum-columnist, Cookie Mueller. In fact, Mueller includes a letter by Stevenson, whom she refers to as “my best friend,” written during his waning battle with the disease in her posthumously published book, Walking Through Clear Water in a Pool Painted Black. Stevenson writes in the letter, “Yes you’re right, all of us ‘high-riskers’ have been put through an incredible ordeal—this is McCarthyism, a witch hunt, a ‘punishment’ for being free thinkers, freedom fighters, for being ‘different.'” Mueller would subsequently die of AIDS-related complications in 1988. Furthermore, Stevenson’s brother Davey Stevenson, bassist for the Athens, GA avant-garde punk band Limbo District, also would succumb to the deadly virus in the early 1990s.
G.E.
Kearsey as a Vampire (Tuscarora Nation of North Carolina)
2016
Signed and numbered, verso
Archival pigment print (Edition of 5 + 2 APs)
56 x 42 inches
$3000.00
Reflection #1
2016
Signed and numbered, verso
Archival pigment print (Edition of 5 + 2 APs)
42 x 32.5 inches
$2000.00
Daniel (Lumbee Tribe of North Carolina)
2016
Signed and numbered, verso
Archival pigment print (Edition of 5 + 2 APs)
42 x 32.5 inches
$2000.00
Margaret Kristensen
Tianqiutao Chen
Maria Sturm
Nathan Miller
Nicole Schwartz
Untitled (Unfixed #1648)
2016
Signed, titled, dated, and numbered, verso
Archival pigment print
40 x 48 inches
(Edition of 5)
$9000.00
30 x 36 inches
(Edition of 5)
$5000.00
20 x 24 inches
(Edition of 10)
$2500.00
Please note that prices increase as editions sell.
Alex Gencarelli
Peter Nicholson
Where Water Comes Together
Rhode Island School of Design 2017 MFA Graduate Show
July 20 – 28, 2017
Opening reception:
Thursday, July 20, 2017
6:00 – 8:00 p.m.
Where Water Comes Together is an exhibition of the work created by the 2017 graduates of the RISD MFA Photography Program. These artists have been guided in critiques and thesis committee meetings by a rich and diverse group of faculty and guests. Ann Fessler, Steven Smith, and Brian Ulrich have led the graduate group critique. Students benefited from individual and guest critiques from artists Drew Donovan, Whitney Hubbs, Pedro Letria, Christina Seely, Catherine Wagner, and Letha Wilson; curator Corey Kelley (SFMOMA); and gallerists Debra Klomp Ching and Darren Ching (Klompching Gallery), in addition to Brian Paul Clamp (ClampArt).
All graduates have completed a thesis book, monograph, and a portfolio of prints—now part of the RISD photo archive, which includes work by such former graduates as Bill Burke, Talia Chetrit, Jim Dow, Linda Connor, Emmet Gowin, David Benjamin Sherry, and Francesca Woodman, among many others.
Orange Cheeked Waxbill (Lord Lanto)
2018
Signed, titled, dated, and numbered on label, verso
Archival pigment print, painted frame (Edition of 3 + 2 APs)
19 x 15 inches
$3500.00, including mounting/framing
Please note that prices increase as editions sell.
Gordon Stevenson
Gordon Stevenson was an artist, musician, and filmmaker.
Following a move to New York in the late 70s, he married Mirielle Cervenka, also known as “Spike” (older sister of Exene Cervenka of the band X), and became the bass player for Teenage Jesus and the Jerks, one of several No Wave bands featured on the influential album No New York.
Stevenson also directed “Ecstatic Stigmatic,” the film with a disease in 1980, which was presciently named just on the brink of the first reported cases of AIDS.
Stevenson died in the early 80s, one of the East Village art community’s first casualties of the AIDS epidemic.
His brother, Davey Stevenson, who was the bass player in the early 1980s Athens, Georgia band Limbo District, also died of AIDS in the early 1990s.
Actress Cookie Mueller wrote about Gordon Stevenson and quotes a personal letter from him written during his illness in Walking Through Clear Water in a Pool Painted Black, published by Semiotext(e) after her death, also from AIDS, in 1989.
Installation Image IV
Untitled (Unfixed #1613)
2016
Signed, titled, dated, and numbered, verso
Archival pigment print
40 x 48 inches
(Edition of 5)
$9000.00
30 x 36 inches
(Edition of 5)
$5000.00
20 x 24 inches
(Edition of 10)
$2500.00
Please note that prices increase as editions sell.