From Donald Clarke’s article for The Irish Times:

First released in 1971, this languorous sexual fantasy–complete with double exposure, stop motion and other effects–breathes the same air as the experimental work of Andy Warhol and Kenneth Anger. But Bidgood’s queer fantasia looks now to have had a deeper (if less acknowledged) reach into the aesthetics of pop video and fashion photography. It hardly seems possible that Morrissey never borrowed an image for a Smiths cover.

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