From Loring Knoblauch’s extensive review of “Sharp Cuts: Queer Collage:”
Sharp Cuts: Queer Collage is the best group show of photography to be found this summer in New York first and foremost because it doesn’t assume we’re bored tourists trawling through the galleries in search of easy entertainment and air conditioning. Instead, it actually asks us to stop and think, in particular about the ways photocollage can function when seen through a queer lens. And when we step back and reconsider questions like who is doing the seeing, what their vantage point might be, what source materials they have chosen to work with, and who the resulting artworks are for, the resulting ideas broaden our possible understandings of photocollage with richness and intelligence.