From Jesse Dorris’ review for Aperture:

“Reveries,” the Museum of Sex’s retrospective of James Bidgood’s photographs, film, and ephemera, tells the story of an American narcissus, a boy entranced by the beauty of his own vision. Largely self-taught, Bidgood transformed tricks both male and mechanical into proofs of better, queerer worlds.

Read the full review

Browse all of James Bidgood’s work at ClampArt