c. 1980-1
Estate stamp in black ink, verso
Pat Hearn Gallery stamp in black ink, verso
Vintage chromogenic print
20 x 16 inches, sheet size
Contact gallery for price.
As the artist explained, this self portrait was taken to answer a sex advertisement.
Literature:
Peter Weiermair, The Hidden Image: Photographs of the Male Nude in the Nineteenth and Twentieth Centuries (The MIT Press: Cambridge, Massachusetts, 1988), 157, full-page color illus. [another example]
Klaus Ottmann, Mark Morrisroe (Twin Palms Publishers: Santa Fe, New Mexico, 1999), pp. 60, 200-1, full-page color illus.
Manuel Segade, ed., Familiar Feelings: On the Boston Group (Xunta de Galicia, Consellería de Cultura e Turismo, Centro Galego de Arte Contemporánea: Santiago de Compostela, Spain, 2009), p. 109, full-page color illus. [another example]
Beatrix Ruff and Thomas Seelig, Mark Morrisroe (Fotomuseum Winterthur/JRP Ringier: Winterthur, Switzerland, 2010), p. 157, full-page color illus. [another example]
Brooks Adams, “Beautiful, Dangerous People,” Art in America (March 2011), p. 126, full-page color illus. [another example]
Ramsey McPhillips, Mark Dirt (Paper Chase Press: Los Angeles, California, 2012), p. 5, full-page color illus., cover illus. [another example]
Bennett Simpson, ed., Blues for Smoke (The Museum of Contemporary Art, Los Angeles: Los Angeles, California, 2012), p. 61, color illus. [another example]
Eva Respini, “Mark Morrisroe,” Aperture (Spring 2015), no. 218, p. 133, full-page color illus. [another example]