From David Rosenberg’s review of Michael Massaia’s series “Deep in a Dream: Sheep Meadow” for Slate:

Throughout the series, he wanted to capture the sense he gets from his subjects that they were letting go, even in the middle of a pressure-cooker city like New York.

“There was such a sense of relief,” he said about the poses his subjects take. “I felt I was capturing something, an unseen New York experience, that you can be in the middle of that city and have a moment of complete surrender.”

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