From Loring Knoblauch’s review of Jill Greenberg’s exhibition for Collector Daily:
As the appropriation tactics of various artists have become more daring and widespread and more photographs that have been inkjet printed on canvas are being categorized as paintings, it’s not surprising that some photographers are becoming annoyed by the increasingly loose mashup culture that is taking hold. Jill Greenberg’s newest works are a provocative inverted response to this trend—instead of turning borrowed photographs into paintings, she’s made her own paintings into massive photographs, and done so with a sly poke in the eye to those on the other side.
See the original review with images
See the exhibition
View all of Jill Greenberg’s work at ClampArt