From Vince Aletti’s review for The New Yorker:
Finke’s pictures, taken all over the country, document both sides of the law, but, whether we’re looking at Baltimore, Las Vegas, or Houston, the mood remains the same: restrained and reportorial. Like the marshals themselves, Finke was collecting evidence, and his images of uniformed officers climbing a tenement fire escape or wading into a sea of kudzu are as matter-of-fact as his still life of a bundle of dynamite.
View a PDF of the original article
View the exhibition, “U.S. Marshals”
Browse all of Brian Finke’s work at ClampArt