2006
Signed and dated, l.r.
Oil on linen
44 x 44 inches
NFS.
2006
Signed and dated, l.r.
Oil on linen
44 x 44 inches
NFS.
2013
Signed and dated, l.r.
Oil on linen
30 x 30 inches
Sold.
c. 1978
Signed on mount
Brett Weston Estate authentication stamp, verso
Gelatin silver print
10.75 x 11.25 inches
Sold.
October 1980/1981
Signed, titled, and dated in pencil on back matting, verso
Gelatin silver print
9.5 x 9.5 inches
Sold.
Signed, l.c.
Gouache on paper
12.5 x 20 inches
Contact gallery for price.
From New Scientist—Culture Lab:
Whimsical and surreal works of art aim to explore interdependence in nature in the exhibition Nature’s Toolbox, in Chicago. . .
From real to imagined disaster; Lori Nix evokes a grim future in her gorgeous photographs depicting miniature dioramas that create scenes from post-apocalyptic cities. In one, shown above, a natural history museum’s own showcases remain intact while the surrounding walls crumble. The exhibit is surreal, yet urgently relatable in its overall message.
1998
Signed, dated, and numbered (33/50) in pencil, recto
Also titled in pencil, verso
Color soft ground etching with spit bite aquatint
16 x 20 inches
Published by Crown Point Press.
Sold.
1999
Signed and numbered, recto
Iris print (Edition of 100)
16.5 x 16.5 inches
Sold.
From Daylight Magazine:
Kate Levy and Monika Merva met to discuss Merva’s Publication, “City of Children.”
Kate Levy: Can you tell me more about your specific experience in this one institution where the photographs take place? How did you get the opportunity to take photographs there?
Monika Merva: It was kind of wonderful. I had always done black and white street photography. But while I was living in Hungary [Merva’s Hungarian], I wanted to work with a community of people, and photograph something I could come back to over the years. I was talking with one of my cousins. She told me about this place called the City of Children, that I might love it. But then she told me I’d never get in there, and to scratch the idea.
c. 2006-2007
Signed, numbered, and dated, verso
Gelatin silver print
20 x 16 inches, sheet
(Edition of 5)
$1800.00
14 x 11 inches, sheet
(Edition of 10)
$1200.00
2010
Signed, numbered, and dated, verso
Gelatin silver print
20 x 16 inches, sheet
(Edition of 5)
$1800.00
14 x 11 inches, sheet
(Edition of 10)
$1200.00
c. 2008-2009
Signed, numbered, and dated, verso
Gelatin silver print
20 x 16 inches, sheet
(Edition of 5)
$1800.00
14 x 11 inches, sheet
(Edition of 10)
$1200.00
c. 2006-2007
Signed, numbered, and dated, verso
Gelatin silver print
20 x 16 inches, sheet
(Edition of 5)
$1800.00
14 x 11 inches, sheet
(Edition of 10)
$1200.00
c. 2006-2007
Signed, numbered, and dated, verso
Gelatin silver print
20 x 16 inches, sheet
(Edition of 5)
$1800.00
14 x 11 inches, sheet
(Edition of 10)
$1200.00
c. 2006-2007
Signed, numbered, and dated, verso
Gelatin silver print
20 x 16 inches, sheet
(Edition of 5)
$1800.00
14 x 11 inches, sheet
(Edition of 10)
$1200.00
c. 2006-2007
Signed, numbered, and dated, verso
Gelatin silver print
20 x 16 inches, sheet
(Edition of 5)
$1800.00
14 x 11 inches, sheet
(Edition of 10)
$1200.00
2004
Signed, numbered, and dated, verso
Gelatin silver print
20 x 16 inches, sheet
(Edition of 5)
$1800.00
14 x 11 inches, sheet
(Edition of 10)
$1200.00
From NPR.org:
Thistle and Brownie were recently the special guests at a small exhibit in Charlottesville, VA. Neither cared much for the art. It’s rumored, in fact, that they didn’t even deign to look. No matter to the gallerist, who seemed unfazed that these two guests might even defecate right on her floors. And the artist, Robin Schwartz, wasn’t the slightest bit offended by their nonchalance.
Only at a Robin Schwartz exhibit would guests like Thistle the rabbit and Brownie the Pomeranian be the center of attention.
2004
Signed, dated, and numbered, verso
Digital C-print
40 x 30 inches
(Edition of 5)
Contact gallery for price.
30 x 24 inches
(Edition of 3)
Contact gallery for price.
24 x 20 inches
(Edition of 15)
Contact gallery for price.