2000
Archival inks on vellum (Edition of 8)
16 x 13 inches
Contact gallery for price.
2000
Archival inks on vellum (Edition of 8)
16 x 13 inches
Contact gallery for price.
1998
Signed, dated, and numbered (2/6) in pencil, recto
Also blindstamped, l.r.
Polaroid transfer on Rives BFK paper
22 x 15 inches, sheet
10 x 8 inches, image
Sold.
1947
Stamped “Collection of Paul Cadmus,” verso
Vintage silver print
4.25 x 6.5 inches
Sold.
PaJaMa is an acronym of the first two letters of the first names of Paul Cadmus (1904-1999), Jared French (1902-1989), and Margaret French (Early 20th century-1998). Paul Cadmus and Jared French became friends in New York City around 1925. In 1937 Jared French married Margaret Hoening, also an artist. And then for the next eight years Cadmus and the Frenches summered on Fire Island, where they formed their photographic collective.
From Two Way Lens:
Michael Werner: What inspired you to start taking photographs, and what have been some of the most important milestones in your career up until now?
Frank Yamrus: One of my favorite childhood Christmas gifts was a photography developing kit from my parents. I have this distinct memory of going in my bedroom closet and making it light tight by stuffing clothing around the door to load film into a developing tank. I’m not quite sure why my parents bought me this present since photography was not much a part of our life outside of the usual family snapshots for holidays, vacation and special events. I attribute much of my fascination with photography to this memory.
1996
Signed, dated, and inscribed “Unique AP” in pencil, recto
Also blindstamped, l.r.
Polaroid transfer on Rives BFK paper
22 x 15 inches, sheet
10 x 8 inches, image
$1400.00
ClampArt is pleased to announce that the Rhode Island School of Design Museum of Art has acquired three photographs by artist, Jesse Burke, for their permanent collection. The artworks will be included in the museum’s fall exhibition, “America in View: Landscape Photography 1865 to Now” (September 21, 2012 – January 13, 2013):
http://www.risdmuseum.org/exhibition.aspx?type=forthcoming&id=2147491022
Blog post by:
Brian Paul Clamp, Director
1991
Signed, titled, dated, and inscribed “Unique” in pencil, recto
Also blindstamped, l.r.
Polaroid transfer on Rives BFK paper
22 x 15 inches, sheet
10 x 8 inches, image
Sold.
David Jarrett specializes in fine art, travel, and exterior architectural photography. His interest in photography started at the University of Colorado, where he was chief photographer on the Coloradan yearbook for three years. At that time he concentrated on available light, candid photography, scenics, and architectural images.
Upon graduation, Jarrett went into the investment business in New York and dropped photography until the early 1980s when he began doing occasional magazine work for “In Touch,” “Mandate,” “Blue Boy,” “HIM,” “Outing Travelogue,” “Playguy,” and other periodicals including “Out” and “Genre.”
Since 1990 Jarrett has devoted substantially more time to photography with works exhibited in Provincetown, Massachusetts at Jones & Hobbs Gallery (1990), Stellwagen Gallery (1991), Gallery Matrix (two one-man exhibits, 1992 and 1993), and Icon Gallery (1996). In addition, in 1992 his images appeared in group shows in New York at both the Leslie/Lohman Gallery and Ganymede Gallery. In 1993 he exhibited several images at Puchong Gallery and was represented at group shows at Leslie/Lohman in 1993, 1994, 1995, 1996, 2003, 2008 and 2010. Commercially, hundreds of his color images have been published worldwide in editorial and advertising, and marketed through Getty Images. He was well represented in “New York, the Great Metropolis”, a large photo book on Manhattan.
An illustrated article on Jarrett’s photography appeared in the Spring 2008 Leslie/Lohman Gay Art Foundation Archive quarterly journal entitled “Blink of An Eye: the Photographic Art of David Jarrett.”
Mr. Jarrett was the former chairman of the advisory committee of the Leslie/Lohman Gay Art Foundation Gallery in New York, now renamed the Leslie-Lohman Museum of Gay and Lesbian Art. He has written numerous articles on artists for the Archive journal and many other periodicals.
______________________________
From David Jarrett’s Personal Diary:
“I photographed Mark Morrisroe in Provincetown MA in 1980, using a Leica M3 film camera. I had not-for-pay sex with Mark Dirt, as Mark Morrisroe then called himself, a few times in August 1980 and again in August 1981, in Provincetown. At that time, we discussed his interest in photography. However, I never realized that there was the possibility he could become a world-famous photographer.
Mark Dirt’s real name was Mark Morrisroe, a photographer who has had several important solo photography exhibits: 1986 + 1988: Pat Hearn Gallery, New York; 1997: The Museum of Contemporary Art Los Angeles; 1997: Neue Gesellschaft fru Bildende Kunst, Berlin; 2007: ClampArt, New York; 2010-11: Fotomuseum Winterthur, Winterthur, Switzerland; 2011: Artist Space, New York; 2011: ClampArt, New York; 2012: Museum Villa Stuck, Munich, Germany. Several books have been published on Mark Morrisroe.
On 26 August 1980, Mark clearly signed a model release for me as “Mrk Dirt.” In the model release, he did not spell his name as “Mark.” I photographed him in the nude on the beach grass and sand dunes in Provincetown. Most of the photographs that I took of him show an erection.
My personal sex diary notes indicate that Mark was ‘wee nelly’ and had a smooth, slim, swimmer’s build.
The first time we met and had sex was during the second week in August 1980. The last time we met and had sex that summer was during the last week of August 1980. At that time, Mark was temporarily living at 8 Mechanic Street, Apartment #4, in Provincetown. He gave me two addresses in Boston. During the first time we met and had sex, he gave me a contact address of Meg Smith, 143 Mass Avenue, Boston 02115. Phone (617) 266-6519. During the last time we had sex that year, Mark gave me an address in Boston of 29 Park Drive, apartment #B, Boston.
The following year, in Provincetown, we again met and had sex during the last week in August 1981. At that time, I did not record his Boston address.
I did not have any contact with him after that time.”
From Photo District News:
Maine-based artist Caleb Charland will present two photographs from his “Fathom and Fray” series, in the summer group exhibit “Into the Woods” at ClampArt.
View the exhibition
Browse all of Caleb Charland’s work at ClampArt
1991
Signed, titled, dated, and numbered (4/6) in pencil, recto
Also blindstamped, l.r.
Polaroid transfer on Rives BFK paper
22 x 15 inches, sheet
10 x 8 inches, image
Sold.
Eighteen prints by Henry Horenstein are included in “Clubs, Joints and Honky-Tonks” at the Norton Museum of Art in West Palm Beach, Florida. Curated by Tim Wride, the exhibition features work by photographers who have immersed themselves in the places, spaces, and energy of concerts, shows, and spontaneous live performances.
For more information:
http://www.norton.org/index.cfm?fuseaction=exhibitions.details&content_id=437
Also look for Horenstein’s upcoming exhibition at ClampArt in September to coincide with the second edition of his book, “Honky Tonk: Portraits of American Music” from W.W. Norton and Company (Hardcover, 144 pages, 10 x 10.4 inches). $50 + shipping.
Blog post by:
Brian Paul Clamp, Director
1997
Signed, titled, dated, and numbered (2/5) in black ink, verso
Toned gelatin silver print
34.5 x 34.25 inches
Sold.
Belgian photographer Wouter Deruytter is well-known for his images of people in the masks and costumes of their identity—from drag queens to circus performers and on to cowboys.
For three summers the artist photographed small-town rodeos in Montana. Deruytter’s cowboys, however, are not one-dimensional anachronisms. While they carefully document the small-town rodeo, they also exude an undeniable sensuality and youthful elegance the subjects may not even be aware of.
1991
Signed, dated, and numbered (5/6) in pencil, recto
Also blindstamped, l.r.
Polaroid transfer on Rives BFK paper
22 x 15 inches, sheet
8 x 10 inches, image
$1400.00
2001
Signed, dated, and inscribed “AP” in pencil, recto
Polaroid transfer on Rives BFK paper
22 x 15 inches, sheet
7.5 x 9.5 inches, image
$1400.00
2001
Signed, dated, and inscribed “AP” in pencil, recto
Polaroid transfer on Rives BFK paper
22 x 15 inches, sheet
10 x 8 inches, image
$1400.00
2010
Signed and numbered, verso
Archival pigment print (Edition of 3)
32 x 40 inches
Contact gallery for price.
2009
Signed and numbered, verso
Archival pigment print (Edition of 5)
30 x 24 inches
Contact gallery for price.
1978
Vintage Polaroid print
4.25 x 3.375 inches, sheet
Sold.
c. 1987
Two vintage Polaroid prints (Unique)
4.25 x 3.375 inches, each
Contact gallery for price.
Literature:
Beatrix Ruf and Thomas Seelig, Mark Morrisroe (Ringier Collection: Zurich, Switzerland, 2010), p. 291, illus. (related example)