Yearly Archives: 2012

Jerry Schatzberg

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Published in Vogue, McCall’s, Esquire, Glamour, and Life Magazine in the 1960s, Jerry Schatzberg captured intimate portraits of his generation’s most notable artists, celebrities, and thinkers (from Bob Dylan to Martha Graham).

In the 1970s, Schatzberg made a foray into film direction. His most widely acclaimed film was “The Panic in Needle Park” (1971), starring Al Pacino.

In 1968, Jerry Schatzberg was divorced from his first wife, Corinne Schatzberg, with whom he only lived for five years. They had two children together. At the time of the divorce, Schatzberg was widely known as Faye Dunaway’s fiancé. In 1969, Dunaway left Schatzberg for actor Marcello Mastroianni. Schatzberg then married the French-American actress Maureen Kerwin in 1983, and they divorced in 1998.

Kobi Israel’s work is featured in “The Sexuality Spectrum” exhibition at Hebrew Union College in NYC

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Kobi Israel’s work is featured in “The Sexuality Spectrum” exh

Two of Kobi Israel’s photographs are featured in “The Sexuality Spectrum” at Hebrew Union College / Jewish Institute of Religion Museum in NYC (curated by Laura Kruger). The exhibition explores a broad range of subjects, including the evolving social and religious attitudes toward sexuality.

For more information on the exhibition:
http://huc.edu/newspubs/pressroom/article.php?pressroomid=2162

Browse all of Kobi Israel’s work at ClampArt


Blog post by:
Brian Paul Clamp, Director

Jill Greenberg | “Horse Latitudes,” Los Angeles Magazine

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From Ann Herold’s story in Los Angeles Magazine:

This is not your daughter’s pretty pony book. In “Horses” (Rizzoli, 224 pages, $55), L.A. photographer Jill Greenberg celebrates the more sensuous qualities of these animals.

PDF of the magazine article
Los Angeles Magazine, “Jill Greenberg: Horse Latitudes”

View the series
Browse all of Jill Greenberg’s work at ClampArt

Jill Greenberg | “Horses,” coolhunting.com

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From James Thorne’s review on coolhunting.com:

Photographer Jill Greenberg presents a mystifying new collection in “Horses,” a photography book that showcases equine majesty. Greenberg will be familiar to regular CH readers for her other series, which range from crying babies to bears and monkeys. Her style is marked by heavy post production, which in the case of “Horses” takes the form of vibrant reds and purples, fantastical sheens and absent backgrounds. The focus of “Horses” strays somewhat from her previous work on animal subjects. “If the monkeys and bears series were portraits of animals as actors, these are pictures of horses as if they were supermodels,” explains Greenberg. “It’s about figure studies and their physiques and their silhouettes.” Form, rather than expression, guides the work overall.

View the original article

Browse all of Jill Greenberg’s work at ClampArt

Brian Finke | “On the Bookshelf: Brian Finke’s Construction,” GQ

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From GQ:

Over the past decade Brian Finke has focused his camera on documenting specific groups of people engaged in the same activity. Finke has photographed the worlds of high school football players and cheerleaders, bodybuilders, and flight attendants. Among the many shoots he’s done for GQ, Brian has shot wild boar hunters, a young go-kart racer, and, most recently, competitive eaters. In his new book and exhibition entitled Construction, Finke observes construction workers on the job at sites in the New York area. Finke’s pictures of workers on the job or on break are less about the individual than about the job culture. There is an inherent toughness and masculinity about these workers—their clothing, body language, and general disposition scream “man” (even the one female construction worker in the book seems tough).

View the original article

View the exhibition
Browse all of Brian Finke’s work at ClampArt

Nancy Burson’s work from the early 1980s is featured in “After Photoshop” at The Metropolitan Museum of Art

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Nancy Burson’s work from the early 1980s is featured in “After Photo

Nancy Burson’s photograph, “Warhead I,” from 1982 is featured in “After Photoshop: Manipulated Photography in the Digital Age” at The Metropolitan Museum of Art, which opened last evening. “Warhead I” is a digital composite of world leaders from the early 1980s weighted in terms of the number of nuclear warheads owned by each person’s country at that time: Reagan 55%, Brezhnev 45%, Thatcher less than 1%, Mitterand less than 1%, Deng less than 1%.

For more information on the exhibition:
http://www.metmuseum.org/exhibitions/listings/2012/after-photoshop

Browse all of Nancy Burson’s work at ClampArt


Blog post by:
Brian Paul Clamp, Director