Frank Yamrus | “I Feel Lucky,” Cool Hunting

From Cool Hunting:

Debuting a series of self portraits at NYC’s ClampArt today, Frank Yamrus returns from a photographic hiatus after several years of soul searching from out behind the camera. “I Feel Lucky” marks the photographer’s response to his mid-life crisis, reproducing significant moments from his life in an exploration of faith, relationships, mortality, photography and health. Reveling in the changing lines of his face and facing demons of his past, Yamrus creates a thoroughly personal examination of his life to date.

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Frank Yamrus | “I Feel Lucky,” Lenscratch

From Lenscratch:

Tonight at ClampArt in New York, Frank Yamrus will open a solo exhibition of “I Feel Lucky,” which runs through March 24th, 2012. As someone who just celebrated another, sigh, birthday, I felt a connection to the idea of taking stock of oneself and was especially interested in understanding a male point of view on the subject.

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Browse all of Frank Yamrus’ work at ClampArt

I Feel Lucky

February 16 – March 24, 2012

Opening reception:
Thursday, February 16, 2012
6:00 – 8:00 p.m.

ClampArt is pleased to present an exhibition of new works by photographer, Frank Yamrus – – his second solo show at the gallery.

The self-portrait series, “I Feel Lucky,” was originally inspired by the artist’s contemplation of impending middle age. Staring down the barrel of his 50th birthday, Yamrus began a photographic exploration that largely centered on body image – – the growing gut, hanging jowls, and deepening wrinkles one begins to notice in the mirror over the years. However, the images soon began to take a turn inward as Yamrus became interested in examining pivotal moments from not only his current life but the whole expanse of his days since he was a boy. In the end, the complete series serves as a statement on identity – – an examination of how one comes to be the person he or she is today.

In the book of the same title which accompanies the show, W.M. Hunt writes: “Yamrus shows us that he has been taking measure of himself as a man and as an artist. This culmination of several years’ work is his discreet and dignified search for purpose and meaning in life.” He continues, “The celebration in ‘untitled (Cake)’ reminds us that the search has its reward.”

Frank Yamrus has been exhibiting his work internationally for over twenty years, with his photographs represented in numerous public collections, including the Museum of Fine Arts, Houston; the Victoria and Albert Museum, England; the Los Angeles County Museum of Art; the Worcester Art Museum, Massachusetts; and the Denver Art Museum, among others.

The book, I Feel Lucky, with essays by W.M. Hunt and Sunil Gupta (Softcover, 72 pages, 56 color illustrations, 11 x 11 inches) is available for $35.

John Arsenault |”Interview with John Arsenault,” Two Way Lens

From Two Way Lens:

Michael Werner: What inspired you to start taking photographs, and what is the primary inspiration for you to keep working in this field?

John Arsenault: It was in my junior year of high school. My friend Cindy bet me she could take a better photograph then I could, so I enrolled in a photography class. And I fell in love with it right away. She lost the bet and I found my passion!

I’m inspired by living life. My goal is to produce a visual monologue about my own life: the aspects of myself that I am most mystified and riveted by – my sexuality, my personal relationships, the masculine vs. feminine parts of my identity and my place within society.

With that said, my work is a photographic diary. I use the camera as a tool to capture the experiences that life presents every day. This includes vibrant color, humor & my ability of transcending the mundane: celebrating and highlighting moments that we often overlook are paralleled with intimate moments with friends and lovers.

My relationship with my work is a lot like all my relationships – some days I feel totally connected and other days I feel totally disconnected.

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View the series “Self-portraits”
Browse all of John Arsenault’s work at ClampArt