ARTIST

Christopher Harris, After the Spring Snow, Sander Road, Nez Perce County
After the Spring Snow, Sander Road, Nez Perce County
Christopher Harris, Green Field, Busch Road, Whitman County
Green Field, Busch Road, Whitman County
Christopher Harris, Autumn Grass, Whitman County
Autumn Grass, Camp Road, Whitman County
Christopher Harris, Field In Rain, Whitman County
Field in Rain, Whitman County
Christopher Harris, October Hilltop, Whitman County
October Hilltop, Whitman County
Christopher Harris, Winter Storm, Long John Morasch Road, Whitman County
Winter Storm, Long John Morasch Road, Whitman County
Christopher Harris, Spring Field, Abbot Road
Spring Field, Abbot Road
Christopher Harris, Canola Field, Sander Road, Nez Perce County
Canola Field, Sander Road
Christopher Harris, Summer Field, Union Flat Road, Whitman County
Summer Field, Union Flat Road, Whitman County
Christopher Harris, Summer Hill, Riley Road, Whitman County
Summer Hill, Riley Road, Whitman County
Christopher Harris, Field, Long Hallow, Whitman County
Field, Long Hallow, Whitman County
Christopher Harris, Summer on Port Susan, Port Susan
Summer on Port Susan
Christopher Harris, Port Susan 7, Port Susan
Port Susan #7
Christopher Harris, Port Susan 18, Port Susan
Port Susan #18
Christopher Harris, Port Susan 34, Port Susan
Port Susan #34
Christopher Harris, Port Susan 112, Port Susan
Port Susan #112
Christopher Harris, Port Susan 47, Port Susan
Port Susan #47

Christopher Harris Resume

Christopher Harris’s devastatingly beautiful color photographs do not come easily. By means of crudely constructed, hand-made cameras of the artist’s own design in conjunction with the employment of “zone plates” rather than simple pinhole apertures, Harris expertly and lovingly records the landscape near where he resides. The resultant images are imbued with a richness of color and light, in addition to a wholly unique ethereality that is akin to a daydream or the imagination—someplace in the mind. However, the “Palouse Series,” much more than merely a series of pretty pictures, addresses not only Americans’ relationship to their land and its impact on the quality of their lives; the body of work also establishes a wonderful dialogue with the history of American photography in general, and with the tradition of American landscape painting quite specifically. While Harris’s inspiration for this body of work harks back to many of the same aims of American landscape painters of the late 19th century, so do his images manage to access a similar sense of wonder and sublimity. Harris’s photographs intelligently address the important issues of our day, but rather than focusing attention on the negative, the artist chooses to make his point through the depiction of that which he loves—the beauty that yet remains, the beauty that must be preserved.

Exhibitions

Press Releases