Unspoken #1515

2016

Signed, titled, dated, and numbered, verso

Type-C print

20 x 24 inches
(Edition of 10)
$2500.00

30 x 36 inches
(Edition of 5)
$5000.00

40 x 48 inches
(Edition of 5)
$9000.00

Please note that prices increase as editions sell.

Unspoken #1516

2016

Signed, titled, dated, and numbered, verso

Type-C print

20 x 24 inches
(Edition of 10)
$2500.00

30 x 36 inches
(Edition of 5)
$5000.00

40 x 48 inches
(Edition of 5)
$9000.00

Please note that prices increase as editions sell.

Unspoken #1517

2016

Signed, titled, dated, and numbered, verso

Type-C print

20 x 24 inches
(Edition of 10)
$2500.00

30 x 36 inches
(Edition of 5)
$5000.00

40 x 48 inches
(Edition of 5)
$9000.00

Please note that prices increase as editions sell.

Untitled (Unfixed #1603)

2016

Signed, titled, dated, and numbered, verso

Archival pigment print

48 x 40 inches
(Edition of 5)
$9000.00

36 x 30 inches
(Edition of 5)
$5000.00

24 x 20 inches
(Edition of 10)
$2500.00

Please note that prices increase as editions sell.

Unspoken #1518

2016

Signed, titled, dated, and numbered, verso

Type-C print

20 x 24 inches
(Edition of 10)
$2500.00

30 x 36 inches
(Edition of 5)
$5000.00

40 x 48 inches
(Edition of 5)
$9000.00

Please note that prices increase as editions sell.

Untitled (Unfixed #1647)

2016

Signed, titled, dated, and numbered, verso

Archival pigment print

48 x 40 inches
(Edition of 5)
$9000.00

36 x 30 inches
(Edition of 5)
$5000.00

24 x 20 inches
(Edition of 10)
$2500.00

Please note that prices increase as editions sell.

Bill Rice

Bill Rice was considered by such luminaries as Rene Ricard to be one of the most important painters of urban life from his generation. Rice’s depictions of inner city gay men are some of the most hauntingly beautiful images of anonymous sexual encounters during the epidemic. For gay men of his generation, the very act of sex was a political statement.

Untitled (Unfixed #1607)

2016

Signed, titled, dated, and numbered, verso

Archival pigment print

48 x 40 inches
(Edition of 5)
$9000.00

36 x 30 inches
(Edition of 5)
$5000.00

24 x 20 inches
(Edition of 10)
$2500.00

Please note that prices increase as editions sell.

Untitled (Unfixed #1629)

2016

Signed, titled, dated, and numbered, verso

Archival pigment print

40 x 48 inches
(Edition of 5)
$9000.00

30 x 36 inches
(Edition of 5)
$5000.00

20 x 24 inches
(Edition of 10)
$2500.00

Please note that prices increase as editions sell.

Unspoken #1520

2016

Signed, titled, dated, and numbered, verso

Type-C print

20 x 24 inches
(Edition of 10)
$2500.00

30 x 36 inches
(Edition of 5)
$5000.00

40 x 48 inches
(Edition of 5)
$9700.00

Please note that prices increase as editions sell.

An AIDS Candlelight March

1983

Poster (illustrated by David Emfinger)

26 x 19 inches

Contact gallery for price.

The first AIDS Candlelight Memorial March took place on May 2, 1983, simultaneously winding its way through the gritty streets of Greenwich Village in NYC and the Castro District in San Francisco. The march was the brainchild of the West Coast co-signatories to the historic patient self-empowerment manifesto, The Denver Principles, and included Bobbi Campbell (a member of the Sisters of Perpetual Indulgence) along with Bobby Reynolds, Dan Turner, and Mark Feldman. They were joined by their East Coast counterparts, PWA Newsline co-founders Richard Berkowitz and Michael Callen, along with other fellow NYC AIDS activists.

For the event, artist David Emfinger illustrated the poster, which bore the slogan that adorned their defiant banner: FIGHTING FOR OUR LIVES.

G.E.

Untitled (Self Portrait in Hospital Gown)

c. 1989

Gelatin silver print from Polaroid T-665 negative

4.25 x 3.25 inches

Sold.

Exhibitions:
Berlin, “Mark Morrisroe 1959-1989: Eine Retrospektive in der Reihe Unterbrochene Karrieren,” Neue Gesellschaft für Bildende Kunst (NGBK), 1997 [another example]

Literature:
Thomas Michalak and Ingo Taubhorn, Mark Morrisroe 1959-1989: Eine Retrospektive in der Reihe “Unterbrochene Karrieren” (Neue Gesellschaft für Bildende Kunst [NGBK]: Berlin, Germany, 1997), p. 33, illus. [related example]
Beatrix Ruff and Thomas Seelig, Mark Morrisroe (Fotomuseum Winterthur/JRP Ringier: Winterthur, Switzerland, 2010), p. 344, illus. [another example]

Untitled (Self Portrait on Bed)

c. 1983-6

Gelatin silver print from Polaroid T-665 negative

3.25 x 4.25 inches

Sold.

Exhibitions:
Berlin, “Mark Morrisroe 1959-1989: Eine Retrospektive in der Reihe Unterbrochene Karrieren,” Neue Gesellschaft für Bildende Kunst (NGBK), 1997 [another example]

Literature:
Thomas Michalak and Ingo Taubhorn, Mark Morrisroe 1959-1989: Eine Retrospektive in der Reihe “Unterbrochene Karrieren” (Neue Gesellschaft für Bildende Kunst [NGBK]: Berlin, Germany, 1997), p.23, illus. [another example]
Dörte Zbikowski, “Casper David Friedrich in a Donut Shop,” Emotions & Relations: Nan Goldin, David Armstrong, Mark Morrisroe, Jack Pierson, Philip-Lorca diCorcia (Taschen: Hamburg, Germany, 1998), p. 128, illus. [another example]
Klaus Ottmann, Mark Morrisroe (Twin Palms Publishers: Santa Fe, New Mexico, 1999), p. 157, illus. [another example]
Beatrix Ruff and Thomas Seelig, Mark Morrisroe (Fotomuseum Winterthur/JRP Ringier: Winterthur, Switzerland, 2010), p. 339, illus. [related example]

Untitled (Self Portrait / Teeth X-Ray)

1988

Estate stamp in black ink, verso

Photogram

5.75 x 7 inches

Contact gallery for price.

Mark Morrisroe’s work changed as he became more ill with complications related to HIV, with some of his pieces appropriating his medical charts. He produced photograms of his X-rays. Morrisroe was creating art right up until he died in his hospital bed on July 24, 1989.

G.E.

Untitled (Unfixed #1632)

2016

Signed, titled, dated, and numbered, verso

Archival pigment print

40 x 48 inches
(Edition of 5)
$9000.00

30 x 36 inches
(Edition of 5)
$5000.00

20 x 24 inches
(Edition of 10)
$2500.00

Please note that prices increase as editions sell.

Unspoken #1521

2016

Signed, titled, dated, and numbered, verso

Type-C print

20 x 24 inches
(Edition of 10)
$2500.00

30 x 36 inches
(Edition of 5)
$5000.00

40 x 48 inches
(Edition of 5)
$9000.00

Please note that prices increase as editions sell.

Lonely Bird

1985

Vintage chromogenic print (negative sandwich) retouched with ink

20 x 16 inches

Sold.

Literature:
Lia Gangitano, ed., Boston School (The Institute of Contemporary Art/Primal Media: Boston, Massachusetts, 1995), p. 156, illus. [another example]
Klaus Ottmann, Mark Morrisroe (Twin Palms Publishers: Santa Fe, New Mexico, 1999), p. 101, full-page illus. [another example]

Mark Morrisroe liked to photograph himself in the nude. His last self portraits from 1989, however, are different. Seen in bed, the unclad Morrisroe is gaunt and skeletal, showing the familiar signs of wasting among the infected with HIV. He died that year, one of the estimated 14,544 PWA deaths in 1989. He was just 30 years old.

Morrisroe explored photography’s relationship with identity and selfhood, along with other Boston School artists like Nan Goldin. They showed how photography could record their everyday lives. One of his innovations was the “sandwich print,” made by stacking multiple negatives and printing them simultaneously, producing a hazy, painterly image, as can be seen in the oddly intimate “Lonely Bird,” taken through his Jersey City apartment window in the summer of 1985. Artist Jack Pierson once described the work of Morrisroe as “Caspar David Friedrich in a donut shop.” Like Friedrich’s “Wanderer above the Sea of Fog,” Morrisroe’s “Lonely Bird” echoes the romantic sentiment of Kantian self reflection, or as John Lewis Gaddis stated in The Landscape of History, “it is contradictory, suggesting at once mastery over a landscape and the insignificance of the individual within it.” A not unfamiliar sentiment in the darkest days of the plague.

Morrisroe’s work changed as he became more ill, with some of his pieces appropriating his medical charts. He produced photograms of his X-rays. Morrisroe was creating art right up until he died in his hospital bed on July 24, 1989.

G.E.

Figure Study

1985

Estate stamp in black ink, verso

Vintage chromogenic print (negative sandwich)

14 x 11 inches, sheet
11.75 x 10.5 inches, image

Contact gallery for price.

Literature:
Klaus Ottmann, Mark Morrisroe (Twin Palms Publishers: Santa Fe, New Mexico, 1999), p. 93, full-page color illus. [another example]
Beatrix Ruff and Thomas Seelig, Mark Morrisroe (Fotomuseum Winterthur/JRP Ringier: Winterthur, Switzerland, 2010), p. 194, full-page color illus. [another example]