From Josh Lustig’s article for the Financial Times:

A mix of reportage and staged portraiture, the photographs in The Ramble, NYC 1969 carry with them this tension between liberation and paranoia. Many of the snatched, surreptitiously taken photographs show men in a state of wide-eyed apprehension, whereas the staged portraits . . . feel fantastical and otherworldly, like a scene from A Midsummer Night’s Dream.

View a PDF of the full article

Browse the exhibition “Arthur Tress | The Ramble” at CLAMP
Browse all of Arthur Tress’ work at CLAMP