2006
Signed, dated and inscribed AP, verso
Unique gelatin silver toned print
62 x 40 inches
$4000.00
2006
Signed, dated and inscribed AP, verso
Unique gelatin silver toned print
62 x 40 inches
$4000.00
2006
Signed, dated and inscribed AP, verso
Unique gelatin silver toned print
62 x 40 inches
$4000.00
2006
Signed, dated and inscribed AP, verso
Unique gelatin silver toned print
62 x 40 inches
$4000.00
2006
Signed, dated and inscribed AP, verso
Unique gelatin silver toned print
62 x 40 inches
$4000.00
2006
Signed, dated and inscribed AP, verso
Unique gelatin silver toned print
114 x 29 inches
(Edition of 4 unique images)
$9000.00
2007
Embossed with artist’s insignia
Unique stainless steel sculpture
36 x 11 inches
Sold.
2007
Embossed with artist’s insignia
Unique stainless steel sculpture
33 x 23.5 inches
$25,000.00
2007
Embossed with artist’s insignia
Two unique stainless steel sculptures
4.5 x 1.5 inches, each
$800.00, each
2007
Embossed with artist’s insignia
Unique stainless steel and glass sculpture
9 x 4 inches
$2000.00
2007
Embossed with artist’s insignia
Unique aluminum and glass sculpture
34 x 18 inches
$2500.00
2007
Embossed with artist’s insignia
Unique stainless steel sculptures
2 x 3 inches, each
$700.00, each
2006
Signed and numbered on label, verso
Archival pigment print
50 x 43 inches
(Edition of 10)
Contact gallery for price.
October
1999
Signed, titled, dated, and numbered, verso
Chromogenic print
12 x 24 inches
(Edition of 10)
$1200.00
Please note that prices increase as editions sell.
In a subtle turn away from the more direct portraiture of her monkey and bear portraits, Jill Greenberg presents here a selection of photographs of horses. While the artist’s previous images of monkeys and bears proved extremely popular, she regards horses as her primal subject. As a young girl, Greenberg was preoccupied with horses for a time – – she drew them, painted, them, sculpted them, collected models, read about them, and got to ride them, too. Here she returns to her childhood interest, but with the more mature and knowing eye of an adult. The photographs reflect the majesty and power of these beasts, in addition to their undeniable sexuality.
Departing from her daring and experimental portraiture, Jill Greenberg returns to her interest in feminist art with “Glass Ceiling,” a series in which she depicts female athletes and dancers underwater engaged in a variety of ambiguous and dynamic movements. The women wear colorful bathing suits and high heels in complimentary hues.
Inspired by an editorial assignment that involved Olympic athletes in stilettos, Greenberg was struck by the absurdity of the styling. The shoes, meant to heighten sexuality, restrict movement and impose a lack of control. Greenberg then formulated her own photographs, which became “Glass Ceiling.” The tension of the models surfacing for gasps of air while wrestling with the weight of the water acts as a metaphor for the role women must play in the outside world.
A number of the images in the series were shot with the assistance of the Aqualillies.