2012
Signed and numbered in pencil, verso
Toned gelatin silver print
30 x 30 inches
(Edition of 3)
$3500.00
15 x 15 inches
(Edition of 10)
$1800.00
Please note that prices increase as editions sell.
2012
Signed and numbered in pencil, verso
Toned gelatin silver print
30 x 30 inches
(Edition of 3)
$3500.00
15 x 15 inches
(Edition of 10)
$1800.00
Please note that prices increase as editions sell.
2012
Signed and numbered in pencil, verso
Toned gelatin silver print
30 x 30 inches
(Edition of 3)
$3500.00
15 x 15 inches
(Edition of 10)
$1800.00
Please note that prices increase as editions sell.
2012
Signed and numbered in pencil, verso
Toned gelatin silver print
30 x 30 inches
(Edition of 3)
$3500.00
15 x 15 inches
(Edition of 10)
$1800.00
Please note that prices increase as editions sell.
2012
Signed and numbered in pencil, verso
Toned gelatin silver print
30 x 30 inches
(Edition of 3)
$3500.00
15 x 15 inches
(Edition of 10)
$1800.00
Please note that prices increase as editions sell.
2012
Signed and numbered in pencil, verso
Toned gelatin silver print
30 x 30 inches
(Edition of 3)
$3500.00
15 x 15 inches
(Edition of 10)
$1800.00
Please note that prices increase as editions sell.
2012
Signed and numbered in pencil, verso
Toned gelatin silver print
30 x 30 inches
(Edition of 3)
$3500.00
15 x 15 inches
(Edition of 10)
$1800.00
Please note that prices increase as editions sell.
2012
Signed and numbered in pencil, verso
Toned gelatin silver print
30 x 30 inches
(Edition of 3)
$3500.00
15 x 15 inches
(Edition of 10)
$1800.00
Please note that prices increase as editions sell.
2012
Signed and numbered in pencil, verso
Toned gelatin silver print
30 x 30 inches
(Edition of 3)
$3500.00
15 x 15 inches
(Edition of 10)
$1800.00
Please note that prices increase as editions sell.
Henry Horenstein’s underwater photographs are on permanent display at the National Aquarium: 501 East Pratt Street, Baltimore, MD 21202.
For more images from Horenstein’s series, “Animalia”:
http://clampart.com/2012/04/animalia/
Blog post by:
Brian Paul Clamp, Director
From Cortona… The organizers did a beautiful job with the whole festival, and the juxtaposition of my large, modern outdoor prints against the classic architecture is amazing. Good times!
See Brian Finke’s blog for more images of his mammoth “Flight Attendants” prints as they are displayed in Italy for the exhibition, “Cortona On the Move” (through September 30, 2012):
http://brianfinke.com/blog/?p=3400
For more of Finke’s “Flight Attendants”:
http://clampart.com/2012/02/flight-attendants/
Blog post by:
Brian Finke, Artist
From cmagazine:
Kerry Manders begins: “Mr. Long Weekend #18 features Toronto artist Chris Ironside wielding a canoe paddle as sword and sporting a Canadian flag as cape, proudly riding an enormous stag—or, rather, riding an ostentatious stag-sculpture-cum-lawn-ornament. Here, Ironside strikes a humorously self-conscious (super) heroic pose, one arm raised in triumph and purpose as knight-errant on his long weekend quest (T-shirt, ball cap and flip-flops=ubiquitous long weekend armour). Ironside’s quest is neither singular nor teleological. . .”
PDF of the magazine article
Chris Ironside, “cmagazine 114” Summer 2012
Two of Karen Gunderson’s stunning black water paintings will be on display in Waterhouse & Dodd’s booth (AS10) this weekend at the Art Southampton Fair:
http://www.art-southampton.com/
Blog post by:
Brian Paul Clamp, Director
From CNN World:
Brian Finke is known for his vivid photography of select groups of individuals as he captures the worlds of flight attendants, cheerleaders, football players and bodybuilders.
In 2008, just before the building boom ended in New York, Finke’s focus turned toward the men and women in construction.
“The construction workers were a little different. Although they were all working together toward a common goal, they were much more independent than the other members of the groups I’ve photographed,” he said. The project developed into an extension of his previous group idea.
Edward Burtynsky (b. 1955) a Canadian photographer known for his large-format photographs of industrial landscapes from around the world that reflect the increasing industrialization and its impacts on nature.
Today an attractive young woman and her friend were flipping through Jill Greenberg’s book, “Bear Portraits,” when they came upon a picture of Bonkers (a 600-pound Black Bear). Apparently, unbeknownst to her, the woman’s tattoo artist used Greenberg’s photograph of the bear as inspiration! The woman’s name is Felicia Urso. I think Urso/Ursine explains the choice of a bear image on her shoulder. . .
For more of Greenberg’s bear portraits:
http://clampart.com/2012/04/ursine/
Blog post by:
Brian Paul Clamp, Director
From Picture Dept:
“Into the Woods” travels through the terrain where humans and nature meet. The traces of these interactions, ranging from the tenderly coexistent to the bluntly dominant (and the awkward attempts at camouflage in-between), are captured as super-natural landscapes that speak of a complicated reverence for “the wild” today.
2007
Signed and titled, verso
Archival pigment print
18 x 12 inches, image
(Edition of 10)
$1200.00
2009
Signed and titled, verso
Archival pigment print
12 x 18 inches, image
(Edition of 10)
$1200.00