Modern Prefab

2012

Signed and numbered in pencil, verso

Toned gelatin silver print

30 x 30 inches
(Edition of 3)
$3500.00

15 x 15 inches
(Edition of 10)
$1800.00

Please note that prices increase as editions sell.

Tudor

2012

Signed and numbered in pencil, verso

Toned gelatin silver print

30 x 30 inches
(Edition of 3)
$3500.00

15 x 15 inches
(Edition of 10)
$1800.00

Please note that prices increase as editions sell.

Saltbox

2012

Signed and numbered in pencil, verso

Toned gelatin silver print

30 x 30 inches
(Edition of 3)
$3500.00

15 x 15 inches
(Edition of 10)
$1800.00

Please note that prices increase as editions sell.

Shotgun

2012

Signed and numbered in pencil, verso

Toned gelatin silver print

30 x 30 inches
(Edition of 3)
$3500.00

15 x 15 inches
(Edition of 10)
$1800.00

Please note that prices increase as editions sell.

The Adam

2012

Signed and numbered in pencil, verso

Toned gelatin silver print

30 x 30 inches
(Edition of 3)
$3500.00

15 x 15 inches
(Edition of 10)
$1800.00

Please note that prices increase as editions sell.

Quonset Hut

2012

Signed and numbered in pencil, verso

Toned gelatin silver print

30 x 30 inches
(Edition of 3)
$3500.00

15 x 15 inches
(Edition of 10)
$1800.00

Please note that prices increase as editions sell.

Victorian

2012

Signed and numbered in pencil, verso

Toned gelatin silver print

30 x 30 inches
(Edition of 3)
$3500.00

15 x 15 inches
(Edition of 10)
$1800.00

Please note that prices increase as editions sell.

Brian Finke writes from Italy

Brian Finke writes from Italy

From Cortona… The organizers did a beautiful job with the whole festival, and the juxtaposition of my large, modern outdoor prints against the classic architecture is amazing. Good times!

See Brian Finke’s blog for more images of his mammoth “Flight Attendants” prints as they are displayed in Italy for the exhibition, “Cortona On the Move” (through September 30, 2012):
http://brianfinke.com/blog/?p=3400

For more of Finke’s “Flight Attendants”:
http://clampart.com/2012/02/flight-attendants/


Blog post by:
Brian Finke, Artist

Chris Ironside | “Everything But the Boy: Chris Ironside’s Mr. Long Weekend,” cmagazine

From cmagazine:

Kerry Manders begins: “Mr. Long Weekend #18 features Toronto artist Chris Ironside wielding a canoe paddle as sword and sporting a Canadian flag as cape, proudly riding an enormous stag—or, rather, riding an ostentatious stag-sculpture-cum-lawn-ornament. Here, Ironside strikes a humorously self-conscious (super) heroic pose, one arm raised in triumph and purpose as knight-errant on his long weekend quest (T-shirt, ball cap and flip-flops=ubiquitous long weekend armour). Ironside’s quest is neither singular nor teleological. . .”

PDF of the magazine article
Chris Ironside, “cmagazine 114” Summer 2012

Browse all of Chris Ironside’s work at ClampArt

Brian Finke | “Seeing construction in a new light,” CNN

From CNN World:

Brian Finke is known for his vivid photography of select groups of individuals as he captures the worlds of flight attendants, cheerleaders, football players and bodybuilders.

In 2008, just before the building boom ended in New York, Finke’s focus turned toward the men and women in construction.

“The construction workers were a little different. Although they were all working together toward a common goal, they were much more independent than the other members of the groups I’ve photographed,” he said. The project developed into an extension of his previous group idea.

View the original article

Browse all of Brian Finke’s work at ClampArt

Jill Greenberg photograph used as source for bear tattoo!

Jill Greenberg photograph used as source for bear tattoo!

Today an attractive young woman and her friend were flipping through Jill Greenberg’s book, “Bear Portraits,” when they came upon a picture of Bonkers (a 600-pound Black Bear). Apparently, unbeknownst to her, the woman’s tattoo artist used Greenberg’s photograph of the bear as inspiration! The woman’s name is Felicia Urso. I think Urso/Ursine explains the choice of a bear image on her shoulder. . .

For more of Greenberg’s bear portraits:

http://clampart.com/2012/04/ursine/


Blog post by:
Brian Paul Clamp, Director

“Into the Woods,” Picture Dept

From Picture Dept:

“Into the Woods” travels through the terrain where humans and nature meet. The traces of these interactions, ranging from the tenderly coexistent to the bluntly dominant (and the awkward attempts at camouflage in-between), are captured as super-natural landscapes that speak of a complicated reverence for “the wild” today.

View the original article

View the exhibition