Master and Apprentice: Hippolyte-Alexandre Michallon (1849-1930) & Bruce Sargeant (1898-1938)

March 29 – May 12, 2012

ClampArt is pleased to announce the opening of “Master and Apprentice: Hippolyte-Alexandre Michallon (1849-1930) and Bruce Sargeant (1898-1938).” The exhibition is curated by New York artist, Mark Beard, who is Bruce Sargeant’s great nephew.

Mark Beard has devoted the last two decades of his life to researching and collecting the work of Bruce Sargeant, a painter who largely concentrated on the idealization and celebration of the male form. Had Sargeant not met with a tragic and untimely death at the age of 40, he may have gone on to achieve the fame and renown awarded to such painters as James McNeill Whistler, Thomas Eakins, and Winslow Homer—artists to whom his style is often compared. Instead, Sargeant’s oeuvre has remained relatively unknown for years, and only recently brought to light thanks to the efforts of Beard.

ClampArt’s exhibition will also include works by Sargeant’s revered teacher, Hippolyte-Alexandre Michallon. Originally from France, Michallon taught at the Slade School of Art in London for two decades. His outstanding technical skills easily won him a faculty position in 1900. However, his academic approach to painting and his reluctance to embrace the tide of modernism resulted in the dwindling of his following. In fact, by 1922, Sargeant was Michallon’s only pupil. Michallon retired from the Slade and convinced his student to study with him privately at home. Sargeant remained fiercely loyal to his master to the end of his life, and he designed and executed the bronze memorial plaque which remains on display in the tiny chapel in St. Ethylburga-by-the-Sea, where Michallon rests in the churchyard.

Mark Beard (1956-) was born and raised in Salt Lake City. His portraits, nudes, bronzes, and handcrafted books have been exhibited worldwide, and he has also designed more than twenty theatrical sets in New York, London, and Germany. His works are in numerous museum collections including the Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Museum of Fine Arts, Boston; the Wadsworth Atheneum Museum of Art, Hartford, Connecticut; and the Princeton, Harvard, and Yale University Museums, among many others.

Frank Yamrus | “Goings On About Town,” The New Yorker

Vince Aletti from The New Yorker writes:

Self-portraits, taken by the photographer around the time of his fiftieth birthday, explore one gay man’s midlife crisis with candor, humor, and a bracing dash of angst. Picturing himself with real and imagined lovers, both male and female, Yamrus touches on the pleasures and terrors of growing older, though no less lusty, and weighs his decision to father a child.

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Browse all of Frank Yamrus’ work at ClampArt

Cloud #10

2004

Signed, titled, numbered, and dated, verso

Archival pigment print

17 x 42 inches, sheet
15 x 40 inches, image
(Edition of 15)
$2750.00

17 x 32 inches, sheet
12.75 x 30 inches, image
(Edition of 15)
$1750.00

Please note that prices increase as editions sell.

Untitled (Frat Boys #2)

2005

Signed, dated, and numbered, verso

C-print

30 x 30 inches
(Edition of 4)
Contact gallery for price.

20 x 20 inches
(Edition of 9)
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15 x 15 inches
(Edition of 20)
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Please note that prices increase as editions sell.

Untitled (Frat Boys #3)

2005

Signed, dated, and numbered, verso

C-print

30 x 30 inches
(Edition of 4)
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20 x 20 inches
(Edition of 9)
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15 x 15 inches
(Edition of 20)
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Please note that prices increase as editions sell.

Untitled (Frat Boys #5)

2005

Signed, dated, and numbered, verso

C-print

30 x 30 inches
(Edition of 4)
Contact gallery for price.

20 x 20 inches
(Edition of 9)
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15 x 15 inches
(Edition of 20)
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Please note that prices increase as editions sell.

Untitled (Frat Boys #6)

2005

Signed, dated, and numbered, verso

C-print

30 x 30 inches
(Edition of 4)
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20 x 20 inches
(Edition of 9)
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15 x 15 inches
(Edition of 20)
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Please note that prices increase as editions sell.

Untitled (Frat Boys #8)

2005

Signed, dated, and numbered, verso

C-print

30 x 30 inches
(Edition of 4)
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20 x 20 inches
(Edition of 9)
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15 x 15 inches
(Edition of 20)
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Please note that prices increase as editions sell.

Untitled (Frat Boys #9)

2005

Signed, dated, and numbered, verso

Chromogenic print

30 x 30 inches
(Edition of 4)
Contact gallery for price.

20 x 20 inches
(Edition of 9)
Contact gallery for price.

15 x 15 inches
(Edition of 20)
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Please note that prices increase as editions sell.

Intertidal

Jesse Burke’s series, Intertidal, addresses the ambivalent domain between the heroic ideal of masculinity and the true reality of being male. Through the juxtaposition of photographs, Burke constructs an autobiographical investigation of the incongruousness of the fragility of masculinity. Burke writes: “I photograph my life and the lives of the men in my social and family circles in an attempt to understand from where our ideas of masculinity originate. I am most drawn to the moments that are representative of vulnerability and emasculation; where there is a presence of a rupture or wound inflicted in some way, where it be physical, emotional, or metaphorical. I employ concepts such as male bonding and peer influence, masculine rites and rituals, homosocial desire, physical exertion, and our connection to one another as well as the landscape that we interact within to expose these instances.”