EXHIBITION

Tress_FloodDream_980
Flood Dream
Arthur Tress, Teenage Runners
Teenage Runners
Arthur Tress, Flying Dream
Flying Dream
Arthur Tress, Masked Children, 110th Street
Masked Children, 110th Street
Arthur Tress, Adam in the Park
Adam in the Park
Arthur Tress, Girl with Dunce Cap
Girl with Dunce Cap
Arthur Tress, Boy in TV Set
Boy in TV Set
Arthur Tress, Girl With Mask
Girl With Mask
Arthur Tress, Boy With Hockey Gloves
Boy with Hockey Gloves
Arthur Tress, Boy Listening to Musician
Boy Listening to Musician
Arthur Tress, Boy with Root Hands
Boy with Root Hands
Arthur Tress, Boy Under Redwoods
Boy Under Redwoods
Arthur Tress, Boy With Giant Ball
Boy with Giant Ball
Arthur Tress, Hockey Player
Hockey Player
Arthur Tress, Boy Looking Through Window
Boy Looking Through Window
Arthur Tress, Girl and Painted Moon
Girl and Painted Moon
Arthur Tress, Girl in White Dress
Girl in White Dress
Arthur Tress, Boy in Burnt Out Furniture Store
Boy in Burnt-Out Furniture Store

April 22 – June 12, 2004

Opening reception:
Thursday, April 22nd, 2004
6:00 to 8:00 p.m.

ClampArt is pleased to announce “Arthur Tress: Dream Collector—30th Anniversary.”

In the late 1960s, photographer, Arthur Tress, began his now-famous study of the unconscious. Interviewing children about their most memorable dreams, Tress attempted to depict the stories for his camera using the same children as his actors. Critic, Richard Lorenz, writes, “The collaborations covered divergent nightmares, from falling from a tower, to being buried alive, to the humiliation of failing in the classroom. Other dreams included a variety of physical restrictions and claustrophobia, monsters at the bedroom window, and drowning.” Many themes were less specific, more fantastic, and a number of the photographs elicit simply a mood, sensation, or recollection. While the body of work was published as the artist’s first major book in 1972, Tress continued to expand the project for several years with many of the strongest and most haunting images appearing beneath the grouping, “Child’s Play,” in his monograph, Theater of the Mind, in 1976.

Tress’s elaborate photographic staging came at a crucial time in the development of the medium. While the directorial mode of photography already had a long tradition by the early 1970s, it was documentary work that still vastly dominated critical attention and popular histories. Photographs like those in Dream Collector were the first to help negate prejudices against such strict expectations and uses of the medium. Such images laid the groundwork for much of the theatrical, highly constructed work of today’s artists (many of whom acknowledge debt to Tress and his landmark project).

Arthur Tress was born in 1940 in Brooklyn, New York. Twelve monographs have been published on the artist’s photographs to date, and his work is represented in the collections of most major public museums in the United States. A traveling retrospective, “Fantastic Voyage,” was organized by the Corcoran Gallery of Art, Washington, DC, in 2001.