From Le Journal de la photographie:

At the beginning, the project represented Greenberg’s return to her original muse. As a young girl she was obsessed with drawing, painting, and photographing horses. As Greenberg’s young daughter also picked up an interest in them and began riding, she started thinking about the bit, halter, and bridle in terms of how these animals are harnessed and controlled.

View the original article

View Jill Greenberg’s series, “Horse”

Browse all of Jill Greenberg’s work at ClampArt